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Igra sudbine 1945 epizoda (25. 10. 2026)

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Transcript
00:12Hello.
00:15Hello.
00:17How are you doing this bone steak?
00:18Excellent.
00:19As always.
00:20Nothing.
00:21I'll give you one.
00:22Whatever.
00:25Whatever.
00:26Whatever.
00:27What? You won't take me for you?
00:30No.
00:33Why?
00:35I don't want to be an impressionant.
00:40That's right.
00:42I'll be the same as the gentleman.
00:44Can I have some salad?
00:46I'll give you some caprese.
00:49I'll give you some steaks.
00:51Of course.
00:52Is that all?
00:54Yes.
00:55For now, yes.
00:59I can see that you went on my way.
01:02It's nice to have a taste.
01:05I'll watch it.
01:08Where are you, Stella?
01:11You don't have to.
01:12What are you doing?
01:13What are you doing in the house for the whole day?
01:15I've got a lulet.
01:16A little bit of Alex's son?
01:18Yes.
01:19Lule is Alex's son.
01:20I've helped me and Olga in the house.
01:23I've now found some spremas.
01:27So...
01:27What happened?
01:29What have you noticed?
01:31It's like you were thinking somewhere.
01:33No.
01:36They found some spremas, so you're standing there.
01:40Yes.
01:41I think...
01:42Oh, God.
01:44I don't know how to say it, but I have to say it.
01:47I see something you've damaged.
02:03Oh, no.
02:04Yes.
02:05God.
02:06God!
02:06Stop it.
02:07I'm so scared.
02:08I can hear you.
02:09Please listen to the instructor.
02:10Hey, what's up?
02:10I'm listening to the teacher.
02:10You learn something.
02:11Let's go.
02:11You're saying something very important.
02:13You're telling the people that they're doing,
02:15You're telling.
02:16You're saying they're doing something.
02:16Your head must be locked.
02:18Right.
02:19So, where would someone be surrounded?
02:20Right.
02:21All right.
02:22Are you talking about that?
02:24You are normal.
02:24Yes, sir.
02:25The fish is broken.
02:27One, two, three.
02:27It's broken.
02:28You're broken.
02:28It's broken.
02:29It's broken.
02:30The head from the fish.
02:32It's broken and the owner will grow.
02:35The owner will get burned.
02:35Do you understand?
02:37Okay.
02:38That's it.
02:39Salate.
02:40What was this?
02:41One of us will put the salad up,
02:43the other one will put the salad up.
02:45The other one will put the salad up.
02:46That's right.
02:48How are we going to do this?
02:51This is going to be done.
02:55Let's see what is here.
02:57This is really done.
03:02Thank you very much.
03:04Thank you very much.
03:05Thank you very much.
03:07Thank you very much.
03:10Everything is nice.
03:14What is this?
03:18This is my rice.
03:20It is called Pijani Charan.
03:22It is a type of rice.
03:25Yes.
03:26How can it be?
03:26How can it be Pijan?
03:28I'm going to wait.
03:30It is my pleasure.
03:32It is called the culinary speciality.
03:36Pijani Charan.
03:37It is finished.
03:39It is like Pijani Charan.
03:42Okay, I want to try it.
03:43Let's try it.
03:45How do you try it?
03:46I pray, Ruzo, sorry.
03:48The guest is the law in our house.
03:51The gentleman is the first time to try it.
03:54Where do we go?
03:55Where do we go?
03:56Every minute.
03:57A little minute.
03:58I'll go, I'll go.
03:59I'll go, I'll go.
04:01Good morning everyone.
04:02Oh!
04:05What are you doing?
04:06That's what I'm doing.
04:08If I can show you.
04:09You can see it.
04:12It's like that.
04:13It's like that.
04:13It's like that.
04:13It's like that.
04:14It's like a dog.
04:14It's like a dog.
04:16It's easier to go.
04:17I'll go.
04:22I'll go.
04:23I'll go.
04:23I want you to go.
04:24I'll be right back.
04:25I'll be right back to you.
04:27I'll be right back.
04:28You'll find me.
04:29How do I do this one?
04:32I'll go.
04:34Up the top.
04:34Up the top.
04:35Up the top.
04:35Up the top.
04:36Up the top.
04:36What do you think?
04:36There is one problem.
04:53Let's talk.
04:55I don't know where to start.
04:58Let's say it from the beginning.
05:00Yes, but it sounds strange.
05:01It sounds strange.
05:04What? You're talking about Žegović?
05:07Yes, yes.
05:08They're not foreign.
05:10No, that's not.
05:13Okay, let's say it.
05:15They think that in the house that they were hired, there are souls.
05:22I pray.
05:24Yes.
05:24What, souls?
05:27How is that?
05:28I don't know. I don't know. I think that it has to be with the previous owner.
05:32I don't have a clue.
05:35No, no, no.
05:37I like details.
05:38I'm free to talk about details.
05:40Better not.
05:41We have time for details.
05:43Yes, I know.
05:45But as they say, Djavo is in details.
05:48Exactly.
05:48Yes, exactly.
05:49Yes, exactly.
05:50In any case, someone needs to get rid of those souls from the house.
05:56Who?
05:57I don't know.
05:59Some old magic.
06:01Yes, magic?
06:02Yes.
06:05That will be really interesting.
06:07Yes, certainly.
06:08Only because I will not be in the house.
06:11Because of what?
06:12I would not recommend you to ask such events.
06:15I ask you.
06:15Yes, I know.
06:16But there is a masterclass.
06:17So, nothing from that.
06:19Masterclass is interesting.
06:21But I thought you would like to ask him because I plan to give you a gift.
06:31As a young esperar, how a gift come to the house.
06:32Yes, and you can not compare your gift for the their gift.
06:37But I saw you already waking up some gifts.
06:40Yes, do you want to also be a gift come to the house.
06:43Oh, God!
06:45I dedic to all the important things,
06:49to help them around you keep coming from the house.
06:53Not everybody's dream.特别
06:54you onlyolfo the house, that doesn't
06:55matter at the house they should give you a gift in the house. That's nothing,
06:55dear friend? Well, competitors.
06:58And Martha and life.
06:58them to wisdom? Both' oft.
07:01Another problem. You know, sherry is not served with rib.
07:07With rib is served with white wine.
07:11Kukuk!
07:12Where did you know?
07:14How did we know?
07:16Excuse me, we didn't know about this one.
07:20No, we know that.
07:21Excuse me.
07:22We just put that sweet wine in the fridge.
07:26Nju deramo.
07:26There was wine wine in the fridge.
07:30Mr. Odisej, don't push around the crowd.
07:37We paid him for sveto Petra Kajgana.
07:40Do you want to drink him?
07:42No, no, no.
07:43You see, I wanted to forgive you.
07:46I see that you've struggled with this house.
07:49I really didn't have to be in place.
07:54And I'm right.
07:55I'm right.
07:56What's that?
07:57What's that?
07:58Nothing, I'm sorry.
08:00You're sorry, thank you.
08:02We learned what you're doing today.
08:04We educated and educated.
08:06We know that.
08:07So, you're sorry, thank you.
08:09I hope you're sorry for this evening.
08:12And you, thank you.
08:18And you, thank you.
08:24Well, let's go.
08:26Let's go.
08:28I'll do this camera.
08:37I like that.
08:43Please, let's go.
08:45You don't have to worry about it.
08:47Here, here, here, here!
08:49You can see where it is.
08:51You can see where it is.
09:05How was steak?
09:08Great.
09:11Is it going to go somewhere or go to a rollercoaster?
09:16You can, why not?
09:18A rollercoaster or a shower.
09:21Do I have to go?
09:24Of course not.
09:25No, no, no.
09:37Dekomo, mogu li večeras da spavam kod tebe i bake?
09:41Molite.
09:42Da spavaš kod nas?
09:44Da.
09:47Dobro, može, ali samo večeras.
09:49Samo večeras.
09:51Sutra će dođe taj čarobnjak da istera duha.
09:54I ono će sve da bude u redu.
09:56Kao pre, vraćaš se spaš u svoj sobi, ok?
09:58Ok.
09:59Dobro.
10:01Pa, kaži mi,
10:03jel si još neko od tvojih drugara plaši da spava sam?
10:08Samo te.
10:09Te?
10:10Da.
10:11Ajde, to neka simpatija ili drugarica?
10:13Ne, drugarica.
10:15Drugarica, kako izgleda?
10:17Super, ali ona će sutra doći da gleda kako će čarobnjak da isterat od duha.
10:23Gde bude da doći?
10:25Pa ovde kod nas.
10:27Čih, Lule, ti si pričao o našim problemima po školi?
10:31Nije, samo sam neka od tej.
10:34A ona je običala da nikom neće reći.
10:37Ne znam, ne znam, Lule.
10:40Nisam sigurno da vidi kad se to bude dešavalo.
10:43Ja mislim da tvoj tata ima plan da te odvede negde u grad na Sladovog, da tako nešto.
10:46Ni, ni.
10:48Hoću da gledam kako će taj čarobnjak da isteratog duha.
10:53Dobra, ajde.
10:55Probat ću, ali ne mogu da ti obećam, ok?
10:57Ok.
10:59Ništa nisi jeo?
11:01Nisam mogu, ja sam nešto drugo.
11:02Dobra, ajde onda na pranje zuba i u krevet. Važi?
11:05Važi.
11:05Ajde, ćao.
11:14Ivane.
11:15Molim.
11:26Bebeli.
11:28Olga, jes to ti?
11:41Opet šta reši, Ivane?
11:44Nećeš me se tako lako rešiti.
11:47Ha, ha, ha, ha, ha.
12:13Nego, imam ideju.
12:14Da čujem?
12:16Ovo...
12:17A možda bismo mogli da odemo mojim autom na jedno mesto.
12:23Imaju dobre kolače.
12:26A da kojim slučajem tamo možda i ne služe doručak?
12:33Kako si znala.
12:36A da to nije možda u tvom stanu?
12:40Gospodinice Stela, po Žegovići su trebali vas da uzmu da rasterujete duhove. Imate sjajan proročki dar.
12:53Ha, ha, ha, ha.
13:01Baš dugo čekam na ovo.
13:05Nesretljiv si ti, dečko.
13:07Ja svakako mislim da je ljepše kad se čeka.
13:13And we want to go to these...
13:17...colače.
13:18To the colače?
13:19No.
13:22In fact, maybe I have something sweet to offer.
13:30Let's go.
13:48Let's go.
13:49Let's go.
13:50Let's go.
13:51Let's go.
13:52Let's go.
13:53Oh, what is this Sherry, brother?
13:57You can see the Lord's drink.
13:59How much.
13:59Let's go.
14:00Let's go.
14:02Let's go.
14:04Let's go.
14:05Let's go.
14:05Let's go.
14:07Let's go.
14:09Let's go.
14:11I can't.
14:12I can't.
14:12Go, getting in with me.
14:14Just let me talk to you.
14:15I pray that.
14:15I ask you.
14:19I pray how much you can.
14:22No, not me I could.
14:23I'll get in.
14:25Let's go.
14:25Come here.
14:26Come here.
14:27Come here.
14:28Come here.
14:29Come here.
14:29Come here.
14:29Come here.
14:30Come here.
14:31That's it.
14:35How are you interested in the rice?
14:37Is it too?
14:38Great!
14:40Thank you very much!
14:42We really tried to get out of it!
14:46You see, we got out of it!
14:47I think...
14:50What are you doing now?
14:54The combination of the food is very interesting.
14:59It's a very interesting one.
15:00It's a very interesting one.
15:02It's a very interesting one.
15:03Really?
15:04What is it?
15:05What is it?
15:07It's an old food called Sevadije.
15:11Sevadije!
15:12What is it in France?
15:14It's fascinating how it is similar.
15:18Where is it?
15:19In Cairo.
15:21In Cairo.
15:22At the Biennale Library.
15:25What is it?
15:27What is it?
15:28Would you like to tell us
15:33what is it?
15:36I would like to ask.
15:39What do you mean
15:41that you clean books
15:43in the library?
15:45What?
15:45What?
15:45Look!
15:46We are our people!
15:47Nobody will see you because of this.
15:50Look!
15:50Look!
15:52Look!
15:55Look!
15:57Look!
15:57Look!
15:59Look!
15:59Look!
16:00Look!
16:01Look!
16:02I don't know about it!
16:04I would know that it is!
16:06How can you say that?
16:09How can you say that?
16:11How can you say that bibliography is not a real interest?
16:13No.
16:13No.
16:14No.
16:15No.
16:26Sit down.
16:28Sit down.
16:31Listen.
16:32I have to give you something very significant about what happened to me.
16:38So, I took the toilet to sleep.
16:42I wanted to get the sandwich that he didn't have to eat.
16:46When I was at the moment,
16:49I had to say,
16:52I don't want you to sit down.
16:56Believe me.
16:58Let me see.
16:59Maybe you had a dream, but you did it.
17:02What a dream!
17:03I was sitting here talking about the toilet,
17:06and I wanted to go to the toilet,
17:08and grab the sandwich,
17:09and I'm going to grab it.
17:10I hear it in my ears.
17:14Okay, okay.
17:15I think it was a long day,
17:16and maybe it's better to talk about this tomorrow.
17:19What a day, brother!
17:22I know that it's your day.
17:23It's always a little day.
17:25You don't believe me.
17:27It's like talking about the walls.
17:29Mother!
17:38I don't know.
17:39I don't know.
17:39Maybe this is the result of his alcoholism.
17:42I mean,
17:42he's been trying to drink,
17:44but who knows?
17:45Maybe he's coming to the toilet.
17:48I don't know what you're saying.
17:49I don't know what you're saying.
17:51Oh, Alexa.
17:52If it's really...
17:53If it's really something to do with the nerves,
17:56we don't take care of it,
17:58we don't take care of it,
17:58as much as we think.
17:59I don't know.
18:01This is my life.
18:02We'll come to sleep in a while tomorrow.
18:05Will we begin a little?
18:06Okay.
18:07Where do I go?
18:09Let's go.
18:13Okay.
18:13Do you know what I do?
18:15I mean,
18:15I like to sleep in a minute.
18:17I think it's another time.
18:19I don't have to sleep in a long time.
18:20...
18:20Together we'll come up with him.
18:22Okay.
18:22And then...
18:22Bye.
18:24I love you.
18:36You say that bibliothecarity is not as interesting, but do you know that bibliothecarity is studied in the faculties?
18:44Yes, yes.
18:46The study practice of bibliothecarity is a theory, a methodology, then a collection of data, and a continuous processing of
18:58the same information.
18:59How did you explain it? How did you explain it?
19:05It's nice to hear you.
19:06What did you explain it?
19:09Arrivination, distribution of material, then a combination of old books that have to be very close to...
19:22No, no, no, no!
19:25No, no, no!
19:26I don't understand anything.
19:28You know what the words mean?
19:30When you walk and talk to me, everything will be muddled.
19:33I pray without bibliothecarity there wouldn't have anything!
19:36E te vorabondom!
19:38Ome, friara!
19:39I understand everything!
19:40M antibiotic at each point understand the maths...
19:43You understand it.
19:44I'm beginning to understand the細be man!
19:45Ode, you understand it.
19:46Would you think?
19:48Mwillutin Milanković in Tesla...
19:50But what do you think?
19:51Only then, remember to the library in the literaryily...
19:54Just by the controller and at a fast student you would think about the table!
19:57Even though I was able to go in the library there's my fellow suspect!
20:01There you are!
20:02I was like Tesla, I'm a black man.
20:07That's the young lady, you think that it's the foundation of everything and the education of everything?
20:13You'll see the foundation of everything.
20:15What are you going to do?
20:18He will come to me.
20:21I've got to go to the library, I've got everything to be done!
20:24Let me ask you guys, let me ask you guys.
20:28Mr. Odiseu, what did you eat there in Tunisia?
20:33Yes, what did you say?
20:34Mr. Poncetović, do you think about Egypt?
20:37Yes, there.
20:37What did I say?
20:39Please, I ate different things, everything and everything,
20:44but the biggest impression on me was to give me beef with Camila.
20:51In the sun, this Damba is a dream.
20:55What did I eat?
20:58The Damba is a dream.
21:01The Damba is a dream.
21:05The Damba is a dream.
21:09The Damba is a dream.
21:11Stella.
21:14It's called Stella.
21:23Who?
21:24Oh, my God.
21:27Well, she's gone.
21:31Son, you don't have to tell me her name.
21:34And now you're talking to me.
21:36Well, son, I wasn't drinking.
21:40Okay, Stella.
21:43It's a nice night, Stella.
21:45Hey, don't sleep at me.
21:48Listen, three years...
21:51Three years I've been drinking water.
21:55And on the sea.
21:56And in Budva, and in Herceg-Novi.
21:59I buy something that they show with a hand.
22:01Hey, I'm planning to believe it.
22:04I'm looking at my hand.
22:05I wanted to do this to get people,
22:08to be music, to be world-like.
22:11And she...
22:13What?
22:14Hey.
22:15I'm standing one morning,
22:17she bought things.
22:18Not nice.
22:19You're talking about facts,
22:19not written or messages...
22:21and just mail a random courier.
22:24And that's the request for you.
22:29What's the request for me?
22:34A random person.
22:44I thought...
22:46that I am someone else than the one who I have presented.
22:55Well, everyone of us is different.
23:01If you knew KOSMO, you would never have been with us.
23:06But she had not done anything.
23:10What is that?
23:13I don't want to say anything.
23:18Well, nothing.
23:19Have a nice night.
23:26I'm telling you to understand.
23:29I came here to the city because of her.
23:33And not because of the money and business.
23:38Because of her.
23:39And now, when I was angry, I would only ask one question.
23:43Why?
23:43Why?
23:46Or...
23:50I don't know why.
23:53That's why I drink.
23:54I don't know why.
23:59I don't know why.
24:05Yes, sir!
24:06Remember I'm scared of the most important place!
24:18I don't know what to do.
24:18Tell me.
24:19I won't. It's not good.
24:21What? What's wrong?
24:24We saw Estella. They were in a restaurant in the center.
24:29The jail?
24:30It's not the jail.
24:32He loves with some frayers.
24:33I don't know what to do.
24:35I love you.
24:37I love you.
24:39He was coming from the restaurant.
24:42He was in a car.
24:43Tell me the photo.
24:45Tell me.
25:14Mr. Porčetovic, Dambu is a salon.
25:18Kamila, do you know what is Kamila?
25:20I know her.
25:22Okay, what is it?
25:24What is it?
25:25Kamila is with who?
25:26What is it?
25:27I want you to ask, man.
25:30What did you eat Kamila?
25:33What is wrong with you?
25:35What is wrong with you?
25:35What is wrong with Kamila?
25:37What did you eat Kamila?
25:39What did you eat Kamila?
25:41Who did you eat Kamila in the hotel?
25:49Kamila!
25:50Tito you ate everything.
25:53Who is Tito?
25:55Listen.
25:57What is it Kamila?
25:58Listen to it.
26:00The name is Kamila.
26:07What do you mean?
26:08I'm going to ask him, man.
26:10He's going to find the blood.
26:11He's going to take the blood.
26:13He's going to take the blood.
26:14He's going to take it.
26:16Have you tried it?
26:19Well, Mr. Pancetovic,
26:23the best thanks to you,
26:24was a wonderful guest.
26:27And we don't have to repeat this.
26:29Why?
26:31It's not like that.
26:32We have to drink and drink
26:34and drink and drink.
26:35That's right.
26:39I don't know.
26:42I believe that the guest will come with the rest.
26:44I can see that they have a good position.
26:47Did we hurt you?
26:51No, no, no.
26:52I don't have a job.
26:53I'm going to remind you
26:54that our conversation
26:55was my family's wife.
27:01What did she want?
27:02Kamil?
27:03No, no, no.
27:05We went to the Biennale
27:08and it was one of our last trips.
27:11Shortly after that,
27:12she left this world.
27:16You're from Kamila.
27:19It was hard.
27:20It was gone.
27:24It was gone.
27:24It was gone.
27:25Oh.
27:27You're welcome.
27:29Well, thank you all,
27:33Mr. Poncetovic.
27:34Now I'm going to leave.
27:36Thank you again.
27:38Goodbye.
27:38Goodbye.
27:39Goodbye.
27:40I don't have to follow you.
27:43You know exactly where the doors are.
27:45You're not the first time.
27:47Goodbye.
27:48Goodbye.
27:50Goodbye.
27:50Goodbye.
27:51Goodbye.
27:52Goodbye.
27:53Goodbye.
27:56Goodbye.
28:01Goodbye.
28:11Good to see you.
28:12Which ones?
28:14We killed their beef.
28:15Both of them!
28:16To hamps them!
28:16To hamps them!
28:18To whatever we want to send them!
28:20Let's make it!
28:21Put that to the table!
28:22Up there!
28:24We need to take a hampshire, they'll eat it.
28:26They won't eat hampshire, eat something simple!
28:28We have to get 500 per kilo hampshire.
28:31Do we have any good end?
28:35Let's go.
28:37I'm talking to his brother.
28:38Let's go!
28:39Who's the meat?
28:41But Camila...
28:42Camila, you have to buy me.

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