- hace 7 semanas
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00:00:14Thank you!
00:00:47Thank you!
00:01:27Thank you!
00:01:58Thank you!
00:02:28Thank you!
00:02:34Thank you!
00:02:35Ha!
00:02:36This morning too!
00:02:37This has to stop once and for all.
00:02:39Or I'll have to set a trap.
00:03:03Thank you!
00:03:04Thank you!
00:03:04Thank you!
00:03:04How many times do I have to tell you not to force mailboxes?
00:03:08Hey?
00:03:09Fortar!
00:03:09But what to force?
00:03:11You're exaggerating.
00:03:12They don't cost anything to open.
00:03:14Besides, I'm only talking about the police chief.
00:03:16That is!
00:03:17Precisely the most dangerous one!
00:03:20Don't you realize that if someone finds out
00:03:22Are they taking me straight to jail?
00:03:24Hey?
00:03:25And not the goalkeeper, either!
00:03:27Come on, Dad!
00:03:28Don't get angry!
00:03:29You know I'm only doing this to train to be a good police officer, right?
00:03:32Training no.
00:03:33You do it to become a good thief.
00:03:35But can I ask why you care?
00:03:38Tell me!
00:03:38Why don't you mind your own business, huh?
00:03:41Answer!
00:03:42But, Dad...
00:03:42Hey?
00:03:42In a police chief's email
00:03:45There could be something urgent.
00:03:47That should be communicated immediately, right?
00:03:49No!
00:03:50Oh, really?
00:03:51No and no!
00:03:52I set that email address, you understand?
00:03:54It was just advertisements and the usual letter
00:03:56from the San Antonio orphanage.
00:03:58Dad, you disappoint me.
00:04:00But don't you know that 80% of criminals are orphans?
00:04:04precisely because their parents have been murdered.
00:04:06Eternal Father, hold me back because I'm going to crush this one.
00:04:09I won't give you a single chance to be left an orphan, okay?
00:04:14Where are you going now?
00:04:16To deliver the mail, right?
00:04:17No!
00:04:19Oh, Dad!
00:04:20You shouldn't get like that.
00:04:21You're going to have a heart attack.
00:04:23You're at that age.
00:04:28Oh my God!
00:04:29That my daughter, who's in love with the mobile patrol, has to bore me.
00:04:43The pretty girl in the morning.
00:04:45Stop talking nonsense.
00:04:46Is your father there?
00:04:47Of course, beautiful.
00:04:48Come, come, come in.
00:04:49But you have to be a little patient because Dad is in a meeting.
00:04:53At this hour?
00:04:54Shh!
00:04:56A secret interview.
00:04:58A blow...
00:05:00very fat.
00:05:00Yeah?
00:05:01Yeah.
00:05:03Listen, if you don't leave me alone, I'm going to hit you with a huge blow.
00:05:07I think you're misunderstanding me.
00:05:08Will you leave me alone?
00:05:10No, I won't leave you alone.
00:05:11Okay, I'll leave you alone.
00:05:12If you give me a kiss, go ahead, give me a kiss.
00:05:13Yeah.
00:05:15Ah!
00:05:16Ah!
00:05:16Doctor, shouldn't you be at the hospital with your patients at this hour?
00:05:19This is more important than a disease.
00:05:21Ah!
00:05:21That's right.
00:05:22How do you consider your profession a true vocation?
00:05:25My true calling is something else.
00:05:28Ah!
00:05:29Ah!
00:05:29Ah!
00:05:30Ah!
00:05:30Ah!
00:05:32Ah!
00:05:33No, sir!
00:05:34Giana!
00:05:34I'll bring you the mail!
00:05:37Ah!
00:05:37I'm leaving right now, Dad!
00:05:38Come on!
00:05:39Get out of here once and for all and stop leaving your fingerprints on Giana's ass.
00:05:43We'll continue tomorrow, okay?
00:05:45Second Raúl.
00:05:46Bye bye!
00:05:51Forward.
00:05:52Come, Molina, come, come in.
00:05:54May I?
00:05:55Excuse me for a moment.
00:05:57Whoever did that is a real criminal.
00:06:00A head snaps open.
00:06:03But that idiot has ruined it like jam.
00:06:06Joaquina had brains done for her.
00:06:09Yes, that's fine, that's fine, but I advise you to find out who did it.
00:06:12In his own private life...
00:06:14Good morning.
00:06:16Oh?
00:06:17So you brought the mail.
00:06:19Okay girls, that's it.
00:06:20Thank you, thank you very much.
00:06:21Can I tell you something?
00:06:23I envy him.
00:06:24You are a lucky man, always surrounded by gruesome pools of blood.
00:06:27But what pools of blood?
00:06:28I've heard it.
00:06:28A crushed skull, a dead man.
00:06:30When did this happen?
00:06:31A crushed skull?
00:06:33Ah!
00:06:35The telephone.
00:06:36There is no crime, my daughter.
00:06:38I was talking to the lime maker.
00:06:39Those murderers don't even know how to open a lamb's head.
00:06:44Ah!
00:06:46A little lamb.
00:06:47I thought it was someone they had found.
00:06:50But you're always going on about those things.
00:06:53Well, you know I'm passionate about investigations and that's why I want to join the police force.
00:06:58I've already submitted my application, you know?
00:07:01But if someone doesn't lend me a hand...
00:07:03Who would be the animal that wouldn't want to lend you a hand, daughter?
00:07:07What I don't understand is how a girl as pretty as you gets the idea to become a police officer.
00:07:12And why not, sir?
00:07:14You are also an attractive man.
00:07:16And yet he's in the police force.
00:07:17You're a little rascal.
00:07:19You can rest assured.
00:07:21When the time comes, we'll lend a hand or two.
00:07:25As many as it takes.
00:07:28Oh no, damn it.
00:07:30How do you think I can continue like this?
00:07:32Look, look at this.
00:07:34The dead woman cut into pieces.
00:07:36And listen to this other thing.
00:07:38Murder in the shuttle cabin.
00:07:41Funeral Symphony.
00:07:43Don't open the door.
00:07:45Close the window.
00:07:47Oh, that must be very interesting.
00:07:49No, I'm saying close the window, I'm cold.
00:07:52At your service.
00:07:53Hey, I have a hat, but I'm not a general.
00:07:55It's the custom.
00:07:56I feel like I'm at the police station.
00:07:59But I'd like to know what happened to that...
00:08:01...so that he gets it into his head to become a police officer...
00:08:04...as if they were going to just anyone.
00:08:06By improving what is present, it is understood.
00:08:08Why instead of waving your head like a lapdog...
00:08:12...don't you discourage her?
00:08:13Hey?
00:08:14Because later, when you marry her, you'll be the one who suffers.
00:08:20Convince her.
00:08:20Tell him it's a tough job, without satisfaction, it's dangerous, exhausting.
00:08:26Of course, looking at you, it doesn't seem so.
00:08:29Just a moment, please.
00:08:30Tell me.
00:08:30I am in the body.
00:08:31By way of the dip.
00:08:33About what?
00:08:33From the dip.
00:08:34I am the Mark Spitz of this situation.
00:08:36You know, the champion of...
00:08:38Don't go on, mate, there's no water here.
00:08:39Well, I've repeated it to the aforementioned woman ad nauseam.
00:08:42And do you know what R.A. has to say to me?
00:08:44What about R.A.?
00:08:45D.A.?
00:08:46No, it's like a synthesis formula which means you must answer directly to A.
00:08:51TO.
00:08:52TO.
00:08:52And do you know what the aforementioned woman replied to me?
00:08:54What did he answer you?
00:08:55My mouth hurts, my little one.
00:08:56Huh?
00:08:56That I am lazy and not very attached to duty.
00:08:58Is that all he told you?
00:08:59Well, she's been very sparing.
00:09:01But what are you doing here?
00:09:03What do you mean, what am I doing?
00:09:04I finished my shift and a little bug came along.
00:09:06And I've come to find you, to take care of you and give you an official escort to the cinema.
00:09:10Bravo.
00:09:11But we're going to see a police movie starring a handsome cop, not a wimp like you.
00:09:16What had he said to her?
00:09:18Goodbye, Dad.
00:09:19Bye bye.
00:09:19What are we having for dinner tonight?
00:09:20Tonight, spinach.
00:09:30You two with me.
00:09:32Inspector, I didn't kill Robert.
00:09:36Attention, don't move.
00:09:38Still!
00:09:39No, don't shoot!
00:09:40I want him alive!
00:09:47Okay, that's enough.
00:09:49Do you look like Cali?
00:09:50And who is this Cali?
00:09:52A leader you had before me.
00:09:54Oh, Arturo, how ignorant you are.
00:09:57Cali was from the east and had a lot of hands.
00:10:00As many as you.
00:10:01And when did you meet him?
00:10:03Guess.
00:10:04What do you want from me, Jack?
00:10:05You know what I want.
00:10:07You're the one who told the police everything, right?
00:10:11God!
00:10:13My little dove.
00:10:14You have put the handcuffs on my heart.
00:10:17You've caused a traffic jam in my circulation.
00:10:20Bloody Jack!
00:10:21My blood is a broth I've already made.
00:10:24Coming.
00:10:25Yeah.
00:10:26That is approaching you.
00:10:27Yeah.
00:10:27That draws me to you.
00:10:28Yeah.
00:10:29Yeah.
00:10:29Yeah.
00:10:30Yeah.
00:10:32They killed him.
00:10:33Who?
00:10:34He.
00:10:45What are you looking at, you piece of pig with those starving eyes?
00:10:47Look at the screen.
00:10:51Silence.
00:10:52That's it, fine.
00:10:53They're right.
00:10:54These things shouldn't be done in the movies.
00:10:57Oh, really?
00:10:58So why don't you take that hand down there?
00:11:00Just a moment, please.
00:11:02This is the hand of the law that protects you.
00:11:04Yes, then.
00:11:05Diana.
00:11:07Diana.
00:11:08Diana.
00:11:10Diana.
00:11:11Diana.
00:11:11Hey, what's all this fuss about?
00:11:14This is a serious house, you know?
00:11:15What do you want from Diana?
00:11:16Hey, give me a kiss this big.
00:11:18That's what I want.
00:11:18And if I were to give you something else, I'd tell you this.
00:11:22Is there something about it that gives it?
00:11:24Huh?
00:11:25I'll pick up the mail myself.
00:11:27So.
00:11:28It belongs to the Ministry of the Interior.
00:11:34Miss Diana Micucci is requested to report to the recruitment office at 8:30 on
00:11:40day 23 of this month.
00:11:43Dad.
00:11:43That?
00:11:44The 23rd is tomorrow.
00:11:45Tomorrow?
00:11:46Ah, I get it now.
00:11:49Thank you.
00:11:50Hey, you, get out of here.
00:11:53And watch out for the stairs.
00:11:55Dirty.
00:11:57Coquette.
00:11:59Golfa in uniform.
00:12:02Slave of the masters.
00:12:05Fascist.
00:12:06Communist.
00:12:09Idiot.
00:12:13Underdeveloped.
00:12:14Who, me?
00:12:16Look, you can say whatever you want to me, but that...
00:12:20Silence.
00:12:22All the words you have just heard will be repeated to you often in the course of your activities
00:12:28when they have become real police officers.
00:12:32Okay, I'll be right back.
00:12:34Second squad.
00:12:36Third group.
00:12:37In magazine position.
00:12:39Firm!
00:12:41Firm!
00:12:55Repose.
00:12:56Repose.
00:12:59He's a faggot, isn't he?
00:13:00She is the commander.
00:13:01Ah, it's a woman.
00:13:02Anyone would say so.
00:13:05Go for it!
00:13:06Destroy it!
00:13:07Silence!
00:13:08To your positions.
00:13:10Okay, two more.
00:13:12You, Bianchini.
00:13:14And you, Amicuchi.
00:13:17I want to know the extent of your level of preparation.
00:13:20and above all, aggressiveness and defensive instinct.
00:13:24Luck.
00:13:26Okay?
00:13:30You're ripping my sleeve!
00:13:32Dojame, you're crazy!
00:13:36That's incorrect.
00:13:37It is unethical to step on your opponent's toes.
00:13:40And this?
00:13:40I didn't buy it in the January sales.
00:13:47No, stop!
00:13:48But what have you done?
00:13:49You bit it!
00:13:50Well, it's the defensive instinct, isn't it?
00:13:53That's the shooting range.
00:13:55So, girls, pay close attention.
00:13:58What you have in your hand are not eggplants.
00:14:01They're bombs.
00:14:02Before launching them, you have to pull this tab.
00:14:05Then, run to the sign on the ground
00:14:09and then throw them.
00:14:12The first four are ready.
00:14:15Ready?
00:14:16Keep the insurance!
00:14:19Already!
00:14:30To my knife!
00:14:35Fuck you beast!
00:14:37Alfredo, how many times do I have to tell you?
00:14:40I'll see some easy ones, super easy ones.
00:14:42It had to be truly awful for them not to approve it.
00:14:45Yes, I know, and the proof is that you've gone through them too.
00:14:48But you see, my daughter is impulsive, she gets passionate.
00:14:52Even during the course, he can't imagine how many incidents he's had.
00:14:55And I wouldn't want them to look at me with disapproval.
00:14:58They're a bit fussy at the Ministry of the Interior.
00:15:00You know that better than anyone.
00:15:01Oh, yes, I know.
00:15:03However, you shouldn't worry.
00:15:04When the time comes, I'll give a call to someone I know.
00:15:07Relax, don't be afraid.
00:15:08Thank you, sir.
00:15:10You are very good.
00:15:12It's really good.
00:15:14Yes, that's fine, that's fine.
00:15:15Okay, goodbye.
00:15:16But how kind of you.
00:15:17Yes, go away, go away.
00:15:20Now, miss, answer the question.
00:15:22Who makes the laws in Italy?
00:15:25The pa.
00:15:27The pa.
00:15:28The pa.
00:15:30The Godfather.
00:15:31But what godfather?
00:15:32The pa.
00:15:33The pa.
00:15:35I know, the Pope.
00:15:36The parliament.
00:15:38The parliament.
00:15:40Damn it, I knew it.
00:15:43What happens is the emotion.
00:15:47Never mind, I'll try.
00:15:49Say.
00:15:52Good morning, sir.
00:15:54Yes, it's me.
00:15:56Tell me, please be calm, sir.
00:15:58What did you say your name was?
00:16:00Yana Ancuchi?
00:16:02Noted, sir.
00:16:04Goodbye, say hello to your wife.
00:16:15Don't tell me that Diana Ancuchi is you.
00:16:20Well...
00:16:20No, no, no, no.
00:16:50Tell me, don't worry.
00:17:01Come on!
00:17:33Come on!
00:17:51A car... for me.
00:17:54Nice, huh?
00:17:55Thank you, Dad.
00:17:57You are welcome.
00:17:58My darling, I'm ruined!
00:18:01Congratulations.
00:18:04It's natural, it's come out the same way, the same type.
00:18:08Equal.
00:18:08Okay, but where are you going?
00:18:11This car is mine, do you understand?
00:18:13Besides, I want to go to the police station by myself.
00:18:15But, but...
00:18:18Come on, come on, get to work, Sobago!
00:18:24What things fall off as soon as you put them on a uniform, and that's what someone gives you?
00:18:29Clear!
00:18:32What's that?
00:18:34Niéndez!
00:18:42I'm here now.
00:18:43Good morning.
00:18:44Good morning.
00:18:44Congratulations.
00:18:45Is it my saint's day?
00:18:46No, because of the car.
00:18:46Ah, yes, yes, they've finally delivered it to me.
00:18:48The other one didn't quite satisfy me.
00:18:51Hey...
00:18:51Very good.
00:18:52Look, I'm leaving it in your care.
00:18:53And be aware, because this is my personal one.
00:18:55He's not from the house.
00:18:56Don't worry.
00:18:57Very good.
00:18:57At your service.
00:18:58Bye bye.
00:18:59Good morning.
00:19:00Good morning, brigadier.
00:19:01Any news?
00:19:02Yes, we already have those two mussels.
00:19:03Ah, well then.
00:19:04Let's eat.
00:19:05Let's not talk about it anymore.
00:19:05I'm referring to Cachota and Esfilatino, the two thieves.
00:19:09Bravo!
00:19:09Very good!
00:19:10Ha ha ha!
00:19:11Now I'll eat them!
00:19:12Good morning.
00:19:13Hahaha!
00:19:14Ha ha ha!
00:19:15Ha ha ha!
00:19:16Hahaha!
00:19:17Hahaha!
00:19:17Nothing from Cachota, commissioner.
00:19:19I am Brigadier Falchetti.
00:19:21Bri...
00:19:23Falchetti, forgive me, son, forgive me!
00:19:25You'll understand that with all this camouflage, one ends up not understanding anything.
00:19:29Hahaha!
00:19:29How rude!
00:19:30No, ha, ha!
00:19:46See you!
00:19:57Well, they're just right!
00:19:59As?
00:19:59No, no, no!
00:20:00Can anyone tell us what's going on here?
00:20:03This is a thief!
00:20:06This is a police station!
00:20:08This is a thief!
00:20:09Why the hell are you making such a fuss?
00:20:10I'm not the one causing the disturbance, he's the commissioner, and he'll understand that I...
00:20:13I don't understand anything.
00:20:14Commissioner, let's reason.
00:20:15That's all I needed, to reason with you.
00:20:17Are you the commissioner?
00:20:18I am the commissioner.
00:20:19Precisely!
00:20:20Precisely!
00:20:20This is an outrage, they arrested me as if I were a common criminal.
00:20:24Alright.
00:20:24What has happened is what happens in a country where there is no privacy, commissioner, there is no deprivation.
00:20:29Yes, and all that is done is to erode freedom, even in the most innocuous things.
00:20:35Ah, harmless, huh?
00:20:36Shut up!
00:20:36Son, let her speak!
00:20:40Let's get to the point?
00:20:42Yes, let's get to the point.
00:20:43Commissioner, tell me, when one feels like making love, what does one do?
00:20:49And what is he going to do? Do it?
00:20:50Precisely.
00:20:51But not in Italy.
00:20:53What are you saying?
00:20:54If you want to make love in Italy, you're not going to go to India.
00:20:56Well, he has to leave, according to him.
00:21:02May I, commissioner?
00:21:04Come.
00:21:06What is this?
00:21:07The person present here is of legal age, nubile and free.
00:21:11She is not a prostitute.
00:21:13Oh, the good stuff!
00:21:13Thank you.
00:21:14Nothing is immediately visible.
00:21:16It allows, should the opportunity arise for you to...
00:21:19Anyway, let's be clear.
00:21:21In that situation, in a moment of distress, would you make love?
00:21:24Look, I don't know...
00:21:25But not on the tram.
00:21:27Not on the tram.
00:21:28The tram?
00:21:30On the tram?
00:21:31And?
00:21:32What, Quique?
00:21:34It has two inside, go on.
00:21:35See how it was prohibited on the tram?
00:21:37Come on, let's go.
00:21:37And you see how backward you are?
00:21:39Tram.
00:21:40But I was right, wasn't I?
00:21:42How would I do it?
00:21:44Commissioner Antinori?
00:21:45Come on, come on.
00:21:46Yeah?
00:21:47I am agent Giovanna Micucci.
00:21:49I have been assigned to the police station in this district, Commissioner.
00:21:52Very well, come on, come on, come into my office.
00:21:55So, come on.
00:21:58Yesterday I received the communication reporting the arrival of the agent...
00:22:03What's it called?
00:22:05Agent Micucci.
00:22:05Micucci, of course.
00:22:06You can address me informally, Commissioner.
00:22:10Thank you.
00:22:11Okay, then we need to start giving you work, huh?
00:22:14Don't worry, I've already started working on my own.
00:22:17Magnificent, magnificent.
00:22:21Get out of the way.
00:22:22Thank you.
00:22:22Let's see.
00:22:24What good have you done?
00:22:25An uncivilized individual has parked his car on the prohibited side.
00:22:28And on a curve, too.
00:22:30And on a curve?
00:22:32Uncivilized and clumsy?
00:22:33Cretin.
00:22:34Cretin and imbecile.
00:22:35Well, it's going to cost him dearly, isn't it?
00:22:38As I was on a curve, I suddenly found his car in front of me.
00:22:41And I'll give him a good shake, you know?
00:22:43And on top of that, I gave him a fine that no one can get rid of, not even the police chief.
00:22:48person.
00:22:48Well done, daughter, well done.
00:22:49It's fresh.
00:22:50Here is the complaint.
00:22:51Oh, if only everyone were like you.
00:22:53Anyway, let's see.
00:22:56This morning, etcetera, etcetera, very good.
00:23:00At such and such time, etc., etc., very well.
00:23:04In prohibited parking, etc., etc., very good.
00:23:08The car with the Rome registration number P56-80, very good.
00:23:15What, very good?
00:23:17License plate P56-80?
00:23:19Yes sir, whatever it says there.
00:23:21Whatever it says here.
00:23:22And did you hit him?
00:23:23A good fall.
00:23:24Quite a fall, huh?
00:23:27Do I understand? A lot of damage?
00:23:28Mine didn't even have a scratch.
00:23:30No, I mean mine.
00:23:31Or to his.
00:23:32Or mine.
00:23:35Because?
00:23:36It's yours, commissioner.
00:23:41Listen, agent...
00:23:43Like what?
00:23:44To Micuchi.
00:23:46Listen, to Micuchi of the cuchicuchis.
00:23:49This complaint, since it is unwritten,
00:23:52and the bodywork bill is your responsibility.
00:23:55Did you understand?
00:23:57Another thing.
00:23:58Let the footballers deal with the fines.
00:24:00We at PS have other matters to attend to.
00:24:02Other, much more serious concerns.
00:24:04And by the way, I'm going to confide something in you.
00:24:07that seems made for you.
00:24:08The Ministry of Labor has commissioned us to do it.
00:24:10It's a very delicate matter.
00:24:12The aim is to monitor all working minors.
00:24:15So the special assignment from the Ministry is now in your hands.
00:24:18That is.
00:24:18This doorbell still isn't working.
00:24:21This doorbell keeps going...
00:24:22Yes, sir!
00:24:26Come here.
00:24:27I've been telling him for a week now.
00:24:29have the doorbell repaired.
00:24:30What's wrong with him?
00:24:31What do you mean, what's wrong with him?
00:24:32It's not making a sound!
00:24:33Well, the truth is that...
00:24:35sounds.
00:24:38It has sounded.
00:24:42How odd!
00:24:45Okay, pass the file of the minors who work for people to my little friend.
00:24:50One moment.
00:24:51I leave it in your hands, zeal and meticulousness.
00:24:54Don't worry.
00:24:57It is true that child labor is a plague.
00:25:00Again.
00:25:00Commissar.
00:25:04It's true, child labor is a plague.
00:25:09But the plague of elderly people who don't lift a finger is also a problem.
00:25:34Is there nobody here?
00:25:35Having dogs wasn't enough for him.
00:25:37Now it also has women, police officers.
00:25:39What do you want, miss?
00:25:40It appears that you have a child under 14 working with you.
00:25:43A minor said.
00:25:45You look good.
00:25:47Listen, jokes don't count with me, okay?
00:25:49No, no jokes, officer.
00:25:51What does it say?
00:25:52Nobody works here.
00:25:53Only I, who am retired, find it good to get some fresh air.
00:25:56I swear.
00:25:57We know that a minor named Humberto works here.
00:25:59We have witnesses.
00:26:01Those children.
00:26:03Ah, I understand now.
00:26:04It seems they've seen my brother-in-law's son who sometimes comes to keep me company.
00:26:08He plays a short strum and then leaves.
00:26:10Yeah, right?
00:26:10Yes, she still goes to school.
00:26:12Just imagine, the poor guy comes here from time to time to play.
00:26:16And what is he playing at now?
00:26:18Who?
00:26:19Ah, yes, it's here.
00:26:21Be careful, I've told him that sometimes.
00:26:23Don't play with that.
00:26:25Don't play, you'll hurt yourself.
00:26:26Come on, come here.
00:26:27Come here so the lady can see you.
00:26:29Come on, don't be shy.
00:26:30This is Humberto.
00:26:31What do you say to a young lady?
00:26:33That's great.
00:26:34She's perfectly healthy.
00:26:36Forgive him, miss.
00:26:37He thinks that such a small child should speak like that.
00:26:40I think I've made a mistake.
00:26:41I came looking for a minor, not a subnormal person.
00:26:44But wait.
00:26:45No, you can't go like that.
00:26:47She's not angry, is she?
00:26:50How beautiful.
00:26:51It's yours.
00:26:52What else could I do?
00:26:53And whose is it?
00:26:54Well, I don't know.
00:26:55From someone who leaves it here.
00:26:56I just take care of him.
00:26:59By the way, can I rest easy about the kid?
00:27:02Don't know.
00:27:02All I have to do is take notes.
00:27:13Hello, Taralo.
00:27:14Who is it?
00:27:15Do you know whose car I found at Rovidecki's house?
00:27:17Well, I honestly don't...
00:27:19Do you know it or not?
00:27:20From the food stall?
00:27:22No.
00:27:23From the commander?
00:27:23No.
00:27:24From the prefect?
00:27:25No.
00:27:26Could you repeat the question, please?
00:27:28Whose car was found at Rovidecki's house?
00:27:32My God, I don't know.
00:27:33Too bad, Mr. Taralo.
00:27:34He has lost.
00:27:36The car belongs to the honorable Manielo.
00:27:38From the honorable Manielo?
00:27:39Then it was stolen.
00:27:43It could be, that's what we need to find out.
00:27:46I'm going to call.
00:27:57Hello?
00:27:58Madam.
00:27:59Yeah?
00:28:00I would like to speak with Your Excellency, please.
00:28:03I am police officer Gianna Amicucci.
00:28:06Idiots!
00:28:08Oh yes, tell me, I am Mrs. Manielo.
00:28:11Can you give me some information?
00:28:12Yeah.
00:28:13You are probably already aware of this.
00:28:15Say.
00:28:16Madam, do you suspect that your husband's car, I mean, His Excellency's car, has been stolen?
00:28:22No, I don't know anything.
00:28:24Maybe yes, maybe no.
00:28:26But why are you asking me this question?
00:28:28Because his car has been seen in a suspicious place.
00:28:32Hidden in a junkyard at 12 Mirtili Street.
00:28:35Are you a son of a bitch?
00:28:37What did you say, ma'am?
00:28:38No no.
00:28:39I was talking to my Pekingese, who is always eager to play.
00:28:43Yes, let's go.
00:28:44I'm sorry to have bothered you, ma'am.
00:28:46No, on the contrary.
00:28:47No hassle at all.
00:28:49I must thank him.
00:28:51Goodbye, miss.
00:28:53Goodbye, ma'am.
00:28:55Rosalía.
00:28:56That?
00:28:57Any timely ones?
00:28:58Yes, it was the police.
00:28:59The police.
00:29:00It was probably a joke, Rosalía.
00:29:02And I was warned that a certain gentleman...
00:29:07Pig, wolf, and well have entered.
00:29:10There are many bad people these days, Rosalía.
00:29:13You're right.
00:29:14He left his car at a location on Mirtili Street number 12.
00:29:18At 12 Mirtili Street?
00:29:20Don't know.
00:29:20Don't know.
00:29:21Don't know.
00:29:21Don't know.
00:29:21That can.
00:29:23Number 10.
00:29:24Sure, between the 10th and the 14th.
00:29:25Where does that woman live?
00:29:27No, Rosalía, I don't swear to it.
00:29:28On my honor, that's slander.
00:29:30Yes, Rosalía.
00:29:32If I can't have it, let them consume it outside, what will you leave for me?
00:29:35If I see him involved.
00:29:37Well, let him say it to my face, it's not just talk.
00:29:40And so His Excellency spoke with the Chief of Police.
00:29:43The police chief gave the prefect a good honk.
00:29:46And guess who the prefect has told off?
00:29:51Can you guess?
00:29:53The answer is easy.
00:29:55She threw it at you.
00:29:56You guessed it right away, didn't you?
00:29:57And now tell me, who should I honk at?
00:30:00Commissioner, please be understanding.
00:30:02It was my first mission and I have completed it completely.
00:30:05Compliment?
00:30:05I wanted to come across as looking my best.
00:30:08I wanted to show off in front of you.
00:30:09And instead of shining, you have fallen into darkness.
00:30:11And I, I've been left looking like a poor fool.
00:30:14Who would think of that?
00:30:16So His Excellency hides the car so that no one knows where it is.
00:30:20And we go and tell his wife.
00:30:23And what woman?
00:30:25Yes, I know, I know, commissioner.
00:30:27Perhaps I am very impulsive, but it is something stronger than me.
00:30:29For me, it's my duty.
00:30:31Sure, daughter, sure.
00:30:32Duty is duty.
00:30:33But power is power.
00:30:37Ah, you understand?
00:30:39Go on, daughter, go away, go away.
00:30:40Go away, daughter, go away, go away.
00:30:42Did I tell you to leave?
00:30:48How are you?
00:30:50No, not anymore.
00:30:51Deep!
00:30:56You don't hear the boss calling you.
00:30:58Are you nervous?
00:30:59No.
00:31:07Is something not working?
00:31:08Something?
00:31:09Yes.
00:31:09But what command?
00:31:11Nothing works in here.
00:31:12The doorbell doesn't ring.
00:31:13And the water isn't coming out!
00:31:15And the water isn't coming out!
00:31:24Deep!
00:31:30Deep!
00:31:33But what command!
00:31:37Deep!
00:31:39Deep!
00:31:39Deep!
00:31:39Deep!
00:31:41Deep!
00:31:41Deep!
00:31:42Deep!
00:31:43Deep!
00:31:52Would you like me to bring you a towel?
00:31:54No, go to hell.
00:31:56Yeah.
00:31:58This idiot has gotten it into his head to make me his.
00:32:01But I will never, never, never be.
00:32:06Oh, this one's finally an idiot!
00:32:09I've been waiting for you for a while, sir.
00:32:11And I want to tell you that you look grotesque in those clothes.
00:32:14Will you be quiet, daughter?
00:32:16Hey, what's happening to you?
00:32:18Is it possible that every time I come here to chat with you you have to make me this dinner?
00:32:24I'm going to have to give it to you.
00:32:28It's well employed.
00:32:30It's too much.
00:32:31I will kill her with my own hands.
00:32:33No, please, no!
00:32:35I didn't mean to make fun of you.
00:32:37No!
00:32:37But it's better if you keep quiet and don't look.
00:32:39If you don't want me to turn off the channel.
00:32:41No, no, please, no!
00:32:45And you want to feel emotions.
00:32:48My star, beneath the athlete's muscle, there is a very varied repertoire to entertain you.
00:32:53I told you that I will only be yours after marriage.
00:32:55Perhaps.
00:32:56The moment of truth has arrived!
00:32:58Already!
00:32:59You've gone mad!
00:33:02Stop acting like idiots and understand television!
00:33:04I want to see how the police end up here!
00:33:07I'll show you the spectacle.
00:33:09An erotic, sexual, live and in color show, Palmi system.
00:33:12No!
00:33:15Yana!
00:33:16Yana!
00:33:18Yana!
00:33:19Let me go!
00:33:20Yeah!
00:33:22I love you, I love you naked!
00:33:24Naked as the truth!
00:33:26Your father!
00:33:28Yana!
00:33:29Yana!
00:33:30Yana, come here!
00:33:31Yes, tomorrow.
00:33:33Yana!
00:33:39Did you see?
00:33:41Yes, the stars, one by one.
00:33:45A man on the terrace is definitely a thief.
00:33:47And what do I care?
00:33:48I have other things to think about.
00:33:49Yes, well listen.
00:33:51You're a softie, that's what you are.
00:33:52A soft one.
00:33:54Me, soft?
00:33:56Soft?
00:33:56Is it time because what happened a moment ago?
00:34:29No, no, no.
00:34:52Still!
00:34:53He didn't take a step; the roof is surrounded.
00:34:55How am I going to take a step?
00:34:57My God
00:34:58Now that one gets scared
00:35:00And it escapes me
00:35:01So, he has an accomplice, right?
00:35:04But what an accomplice my parrot is
00:35:06There it is
00:35:07I've been looking for it for a month.
00:35:08I'm exploring all the rooftops of Rome
00:35:10And now he had almost succeeded
00:35:13Oh, sorry, you know?
00:35:16I thought you were a thief
00:35:19Diana, what are you doing?
00:35:22I demand an explanation for your strange and illegal behavior
00:35:25You're a lustful woman who goes around on rooftops like a cat.
00:35:29Why are you yelling!
00:35:30I'm just helping this poor guy who broke his bird
00:35:33And you're telling me about it, too.
00:35:34Ah!
00:35:35Ah!
00:35:37Fermo, did I read that? Where are you going? Document it!
00:35:40Diana
00:35:42Pisi, pisi, pisi, pisi
00:35:44Pisi, pisi, pisi, pisi
00:35:46Diana, ¿ti sei rimessa?
00:35:49She is awake
00:35:50Oh, you lazybones!
00:35:52You always have to be here
00:35:53But you don't work.
00:35:55I can't think about work
00:35:57I only think of you
00:35:58And can't you think about the service?
00:36:00Diana, well, we're going to be
00:36:02There are services that are more important than the service itself.
00:36:07Hello
00:36:08How is the fastest and most beautiful police officer in the world?
00:36:12Fine, thanks
00:36:13There's no...
00:36:14Doctor, excuse me, but...
00:36:16Are the flowers here part of the treatment?
00:36:19Let's go, he's stupid
00:36:20It is a ventilation
00:36:21A delicate gesture
00:36:23No, no, you're right.
00:36:24Flowers are used to heal the psyche
00:36:26What?
00:36:27Definitely
00:36:27Excuse me, but who are you?
00:36:29With your permission, doctor
00:36:31I would like to introduce you to Miss's boyfriend
00:36:34Where is?
00:36:35Present
00:36:36Ah, congratulations!
00:36:38Well, it doesn't surprise me that he had a major shock
00:36:41Doctor, let's look each other in the whites of our eyes and speak clearly.
00:36:46When he says shock, I'm sure he's not implying that I'm some kind of fool.
00:36:54Tell me, can you understand him when he speaks?
00:36:56Let's see
00:36:57Okay, less confidence.
00:37:01If you don't mind, the young lady should rest now.
00:37:04Would you be so kind as to make yourself comfortable out there?
00:37:07Amenda, there's no one who can give it to her
00:37:08I'm leaving
00:37:09But you go out with me
00:37:11Sure, sure
00:37:12But first I have to give him an injection
00:37:14Just a moment, please.
00:37:16When it says injection
00:37:18Surely, surely he's not implying that he's going to put an intramuscular injection in her ass.
00:37:22No, I'm going to give it to her intravenously.
00:37:24Who gave it to me?
00:37:25By your nose
00:37:25I trust you
00:37:26Thank goodness
00:37:27Thank goodness
00:37:29Gian, don't be afraid, I'll be out there keeping watch.
00:37:33And ready to intervene
00:37:39Sympathetic
00:37:45No
00:37:47I'm sorry, but you must come back
00:37:49But how?
00:37:51It wasn't intravenous
00:37:52I only said it to reassure your friend; otherwise, he wouldn't have left.
00:37:56I only give IVs to old women.
00:37:58Oh, really?
00:37:59But to someone like you, I'd be stupid.
00:38:02Come on, turn around
00:38:03In short, you've seen through her veil, haven't you?
00:38:05Him?
00:38:07Yes, him.
00:38:12Did I hurt you?
00:38:14No
00:38:27Why do you have to rub so much?
00:38:29Calm down, calm down
00:38:31The liquid has to dissolve
00:38:35This had to happen to me
00:38:36Besides being a voyeur, he's a stump
00:38:38The thing is
00:38:41Oh no
00:38:42Oh
00:38:45And this little bell still doesn't work
00:38:48Are you going to listen to me?
00:38:54Taralo!
00:38:55Command, commissioner
00:38:59Where were you?
00:39:00You see, I was...
00:39:01Hidden
00:39:02No, it's just that...
00:39:03Come, come, my son, come with me, come, come
00:39:05I've been telling you to fix the doorbell for a week now.
00:39:08And the doorbell still doesn't work.
00:39:09I touch and sew nothing!
00:39:11Well, to be honest, it does work for me.
00:39:14At your service
00:39:15What? What's going on?
00:39:17What did you say?
00:39:18Nothing
00:39:20It's a mistake, you can withdraw, it's a mistake
00:39:25Show me your finger
00:39:29Is this normal?
00:39:35If I pick it up, it won't work.
00:39:37Come on, you answer.
00:39:39Say, police station, seventh zone
00:39:41Uh, no, I don't know if it's there
00:39:43Who is it?
00:39:44A certain Mr. Moretti
00:39:45What should I say to him/her?
00:39:46What are you going to say to him?
00:39:48Tell me, Mr. Moretti
00:39:49Hey, jerk
00:39:51Tell me
00:39:51I wanted to let you know that the people in my neighborhood have finally recovered.
00:39:54And thankfully he has been discharged
00:39:56Fortunately, it has recovered
00:39:58And fortunately, what luck!
00:39:59And do you know what I've done?
00:40:01What has he done?
00:40:02Well, I'll return it to you immediately.
00:40:03Will you send it to me?
00:40:05She sends it to me
00:40:07What do you mean, "what do you say"?
00:40:08No, I hope you're doing very well, very well.
00:40:09Then it's up to you.
00:40:10Take care of her, commissioner
00:40:11Good morning
00:40:12I'll take care of it
00:40:13Good morning
00:40:15I'll take care of it
00:40:16What will I take care of?
00:40:18Do you understand?
00:40:20A certain Mr. Moretti
00:40:21A Mr. Moretti called
00:40:24Could it be a dentist?
00:40:26No!
00:40:27Mr. Moretti, there is only one
00:40:29The only one
00:40:30The Supreme
00:40:31Your boss
00:40:32Our boss
00:40:33Our boss
00:40:34And since you are not recommended by him
00:40:36I can move you whenever I want.
00:40:38I can send you all the way to Frascati
00:40:40I wish, I live there
00:40:41So, look at it like...
00:40:44Forward
00:40:47Agent at my disposal
00:40:48As you can see, I'm already settled.
00:40:50Yes, I know, I know
00:40:52Come, come closer
00:40:53Agent to my cutie
00:40:55Come closer
00:40:56I wonder
00:40:57What's on your mind?
00:40:59How is it possible that a girl of your category
00:41:01Does he go across the rooftops to hunt birds?
00:41:04I was just going to hunt a man
00:41:05I didn't know there was a parrot
00:41:07So the parrot didn't...
00:41:08Yes, I'm interested.
00:41:09But it was the man who wanted to catch the parrot.
00:41:11And not me
00:41:11And did he have to climb onto the rooftops to catch his bird?
00:41:14What can I do?
00:41:16All I know is that I grabbed it and he couldn't catch it.
00:41:18Poor man
00:41:20But then Cheche arrived
00:41:22And who is Cheche?
00:41:23My boyfriend
00:41:24Arrea
00:41:25The catastrophe occurred as soon as he arrived.
00:41:27What do I think?
00:41:28He brought us both down.
00:41:29And they had to take us to the hospital.
00:41:31Where have you been?
00:41:32One season
00:41:33Yes, yes, I know.
00:41:34Come, come, come
00:41:35Here's a little job for you, you know?
00:41:37Look, here it is
00:41:38Here it is
00:41:39A single mother
00:41:41He entrusted his son to an institution.
00:41:43I used to see him regularly
00:41:44But now they tell us that it's been three months.
00:41:46He has not given any further sign of life.
00:41:48I understand, I must look for her
00:41:49You understood it as usual
00:41:51But keep in mind that it's not easy, you know?
00:41:52Pay attention to what you do
00:41:54Here are the institution's details
00:41:55And here is the girl's last address
00:41:57Ten
00:41:59I will find her
00:42:00Good
00:42:00Can I leave?
00:42:01Go and keep me informed.
00:42:02At your service
00:42:04Commissioner, I can leave
00:42:05What are you waiting for?
00:42:06Is it a carriage?
00:42:07Go away
00:42:07Oh
00:42:14Well, we have visitors.
00:42:35Look
00:42:35Did you see?
00:42:37A woman
00:42:38Who will it be?
00:42:39A policewoman
00:42:41Take
00:42:42Four and three, seven
00:42:43Okay
00:42:45Nine of Cups
00:42:46These women are worse at issuing fines than the police officers.
00:42:49But I let him give me a ticket every day
00:42:51Ask around
00:42:53They'll definitely put their hand on her ass
00:42:55He gives you a fine for stopping on a curve.
00:43:03Good morning, ma'am
00:43:04I haven't done anything
00:43:06I haven't seen my husband for four months now.
00:43:09I'm looking for a Dalana Tardioli
00:43:11Do you know her?
00:43:11No, I don't know anyone.
00:43:13I don't know anything.
00:43:14I understand that he used to live here.
00:43:16Well, you said it.
00:43:17He was alive, but he is no longer alive
00:43:18No?
00:43:19And where does he live now?
00:43:20And what do I know?
00:43:21But he'll have a job.
00:43:22She will be an employee, a worker, a maid
00:43:24EITHER...
00:43:25He'll do something, won't he?
00:43:25Yes, they do have work.
00:43:27Tordiquinto
00:43:30Miss
00:43:32What do you want?
00:43:34I heard him say that he is looking for Ana Tardioli
00:43:37Do you know her?
00:43:39I don't
00:43:40Perhaps Armando
00:43:41And where is Armando?
00:43:42Come with me
00:43:43Let's go!
00:43:44Let's go!
00:43:47Be quiet!
00:44:00What are you doing?
00:44:01Why are you stopping?
00:44:01We have arrived
00:44:02There's Armando
00:44:04Bye
00:44:04Hey?
00:44:05Are you sure it's there?
00:44:06Yes, yes
00:44:07There it is
00:44:08Bye
00:44:08Thank you
00:44:14Bye
00:44:15Armando
00:44:19Is there nobody here?
00:44:25Sorry
00:44:26It appears he is dead
00:44:38The heart is still beating
00:44:42I hope the time has come
00:44:50This is tomato juice
00:44:53Doesn't it smell bad?
00:44:55This, you son of a bitch!
00:44:58I no longer believe it has arrived on time
00:45:02What are you going to resist?
00:45:04You're crazy!
00:45:05Look, I was Marlon Brando's double in Last Tango
00:45:08Armando!
00:45:09Stay still, we're about to do the butter scene!
00:45:15Who is he today?
00:45:17We want a girlfriend
00:45:18Oh, really?
00:45:20Then we will introduce ourselves
00:45:41I don't think this one will suit you.
00:45:42You'll see
00:45:43Do you like me?
00:45:45No!
00:45:47Now I'll tell you how it's done.
00:45:54Let's see if you can get this jumbo jet off the ground!
00:46:07You're not moving, seriously!
00:46:23Okay, I'm leaving.
00:46:24And now with the door to life!
00:46:46Which round are we on?
00:46:47How should I know?
00:46:48My head is a mess
00:46:50I don't even know what we came here to do anymore.
00:47:15You know what I'm saying?
00:47:16You're unpleasant!
00:47:29I won't hide you!
00:47:32There's a reason they say women have fairy hands
00:47:40Scoundrels!
00:47:42You are all the same!
00:47:45Lots of talk and more talk.
00:47:48And here you don't dare to say a word
00:47:52Well, what have you done?
00:47:53Do you want to talk now?
00:47:54I will speak only in the presence of my lawyer
00:47:57If it weren't for what she would give you, I would give you the lawyer
00:48:00Micucci Agency at your service!
00:48:01Ah!
00:48:02What a conceited racket, daughter!
00:48:03I've read your report
00:48:05But do you think you can go to those places in uniform?
00:48:08You had to camouflage yourself, right?
00:48:10Look, your colleagues dress up as galley slaves when they go to those places.
00:48:13Thank goodness nothing happened to you
00:48:15Who has this happened to?
00:48:17Because I brushed them.
00:48:18And then I wrote a good report
00:48:21Already
00:48:22I accuse them of attempting to abuse a uniformed officer
00:48:25To a prison cell, all
00:48:26You're the real deal.
00:48:28I?
00:48:28Yeah
00:48:30Have you found that single mother?
00:48:32No, sir
00:48:33You'll think it's beautiful
00:48:35How handsome
00:48:36It's kind of funny, yes
00:48:39How does it resemble you, Commissioner?
00:48:42Me?
00:48:43Yeah
00:48:44And what I have to see, he's neither my son nor anything like that
00:48:46He's the son of the single mother you haven't found.
00:48:49From the late-season one?
00:48:50That
00:48:50She ran away from the nuns; it runs in the family.
00:48:53The escape
00:48:54You understand?
00:48:55The mother runs away and goes to look for her son.
00:48:57And the son runs away to look for his mother
00:48:59Vicious circle
00:49:00Come here, handsome, come here
00:49:02An agent found it by chance, you see.
00:49:05Now you're taking him to the convent.
00:49:08You hand it over
00:49:09The nuns will sign a receipt for you.
00:49:11And that way we're more at ease
00:49:12And then you continue searching for the mother
00:49:15But disguise yourself, camouflage yourself
00:49:17Yes sir
00:49:19Well
00:49:20Come on?
00:49:21Will you pick me up?
00:49:23Of course
00:49:24Come
00:49:28Do you like it like this?
00:49:30I love it
00:49:33Well, now it's time to go home
00:49:35It's late, you know?
00:49:36But I don't want to go back to those headdresses.
00:49:39I want to be with my mother
00:49:40What are you saying, kid?
00:49:42The nuns are very good
00:49:44They let you play, they feed you
00:49:46And they take care of you because Mom isn't home, you know?
00:49:51When are you coming back, Mom?
00:49:53I'll go look for her tonight, and I promise I'll find your mother.
00:49:56Are you happy?
00:50:02Diana
00:50:04The investigation has been completed
00:50:06At last I discover the secret fruit of your guilt
00:50:12Take off the mask, Diana
00:50:13When did the crime take place?
00:50:15I can't answer you in front of this creature
00:50:17Oh, really?
00:50:18Where will we talk tonight?
00:50:20No, I'm on duty tonight.
00:50:22Service?
00:50:25And who do you do the service for?
00:50:26To the orphan's father?
00:50:27If you don't leave, I'll forget I'm even going, man, and that's it.
00:50:30Just a moment, please.
00:50:32The child is watching us.
00:50:33Who is this vicious man?
00:51:10Hey, where did you come from?
00:51:12And what the hell is it to you?
00:51:16Look, the baronet has arrived
00:51:17She stood there as if she owned the street
00:51:20And who protects you?
00:51:21The sky
00:51:22If I were in your shoes, excuse my language, I wouldn't be so pleased.
00:51:26That's the Mollefuma area
00:51:27And who is this Mollefuma? A Japanese volcano?
00:51:31Almost, but with a lot more fumes, so be careful.
00:51:35How can I even touch you? It'll inflate you like a balloon!
00:51:38He'll pull off one of your ears and stick it inside your bag.
00:51:47But what's happening tonight? Are you on strike?
00:51:50It's a border incident; this woman has invaded our territory.
00:51:53He doesn't want to compete
00:51:55Don't you see it? It looks like a Malichi.
00:51:57But he'll find out!
00:52:07Tell me one thing, who brought you here?
00:52:10Nobody
00:52:10You don't want us to believe that, do you?
00:52:13What has fallen here from the sky?
00:52:15Almost, a cousin of mine who's around here called me
00:52:19And what's its name?
00:52:21Ann
00:52:21Ana what?
00:52:24Ana Tardioli
00:52:26Good girl, I recommend her
00:52:28You shut your mouth and go pick up girls.
00:52:30And you, once you're on the move, what needs to be done?
00:52:32Let's get moving!
00:52:33Come on, let's flirt!
00:52:35Come on!
00:52:36Come on!
00:52:37Your mother!
00:52:38Come on!
00:52:38You see what I'm telling you!
00:52:41And you to me!
00:52:45That's enough, stay here, I'll take your cousin's place
00:52:47You work here tonight, we'll see about tomorrow.
00:52:49Hey, and if those wretched women come back, what am I supposed to do?
00:52:54Don't worry, they won't come back because...
00:52:55Tornano, because I know he smokes me
00:52:59Ciao, bella
00:53:01Eh, he has a fortune that my fiancée is on duty this will be
00:53:05Why will we be able to do the erotic tourist tour of the capital?
00:53:09Ah, that's why I've come from the village, because so far I haven't seen anything that...
00:53:12desco
00:53:12Hey, calm down, calm down, we're watching!
00:53:15Here's one!
00:53:16Goodbye, Estrella
00:53:17A call from Estrella, please!
00:53:18No, don't even think about it, he's a faggot.
00:53:20Let's go a little further, that's where the good stuff is.
00:53:22Look at that!
00:53:23Handsome!
00:53:24No, that one, it would crush you, it would drown you
00:53:27So what?
00:53:28Calm down, calm down
00:53:29Don't you want to go down for a little while, General?
00:53:33Oh my God, General!
00:53:35Just a little while, just a little while
00:53:37You'll see, we'll find something good now, don't worry.
00:53:40Oh, look at that one, I like that one, I want that one, I want that one
00:53:43See how your buddy does things?
00:53:45Don't worry, I'll serve them to you on a silver platter.
00:53:59Listen, gorgeous, do you want to chat with me?
00:54:10I think you and I already know each other.
00:54:13Where did you work before?
00:54:14In the magazine?
00:54:28Yana!
00:54:30What are you doing here, you wretch?
00:54:31And you, you pig, what are you doing?
00:54:33Just a moment, please.
00:54:34I am the one conducting the interrogation
00:54:36What are you doing here with everything out in the open?
00:54:38Be quiet, they're going to discover me, I'm here on duty
00:54:40I couldn't care less about the service
00:54:42Who is it?
00:54:44Come on, get out of here and come with me
00:54:45Leave me alone and go away
00:54:46Look, I'm usually nice, but if I get worked up I turn into the energetic guy from the beginning of a drunken stupor.
00:54:51Come on, bring it to me.
00:54:54Ah!
00:54:55We've arrived!
00:54:57A barrier has arisen between us; we will not see each other again.
00:55:00Goodbye forever!
00:55:02Go get some fresh air.
00:55:04Bitch!
00:55:05Zamarón!
00:55:07Compass!
00:55:08Leave me alone
00:55:10Hey, Mrs. So-and-so, excuse me
00:55:12Come on, let's go
00:55:13But why?
00:55:14That size is perfect for me!
00:55:15It's too big for you!
00:55:16One moment
00:55:16Didn't you call her Diana?
00:55:18And?
00:55:18Don't you have a girlfriend named Diana?
00:55:21Coincidences
00:55:21Come on, let's go
00:55:22Let's go home
00:55:23If it's just a coincidence, why don't we go with her?
00:55:26Because he's asking for 30,000 lire
00:55:29They are paid
00:55:30I've sold the goats and I've got a lot of money
00:55:31Come on!
00:55:32It is thus philitic
00:55:33So what then?
00:55:34It will show!
00:55:35Look what that son of a sow is saying!
00:55:37Calm down, Blondie, or you'll end up like your cousin
00:55:38Who?
00:55:39Your cousin Ana
00:55:40Poor thing
00:55:41Who would have told him it would end that way?
00:55:44Yes, injuries caused by bladed weapons are usually serious.
00:55:47Poor woman
00:55:48Only God knows how much he suffered.
00:55:50In any case, only the guy who got stabbed will have suffered.
00:55:53Be careful, I had warned you.
00:55:55Put the knife down or you'll end up in jail
00:55:57You are a lady
00:55:59Just imagine, if I had listened to you
00:56:01He wouldn't be in jail at this time.
00:56:04You know what I'm saying?
00:56:05I don't have the courage to go see her
00:56:08However, you must go
00:56:09She'll like it
00:56:10Yes you're right
00:56:11And tell me
00:56:12Go on, now go to work
00:56:14Hey, you three, come here
00:56:19This is going badly, huh?
00:56:20We're going to do something, otherwise I'm closing the business.
00:56:22And you get out of here
00:56:23Now she's turning on us.
00:56:25Not a lyre moves today
00:56:26They're all at home, watching TV
00:56:38Hello, Brotanco
00:56:40I want a girl for a party at some friends' house
00:56:43You already know
00:56:44Understood, boss
00:56:45There's a new one that's perfect for that little party.
00:56:48Who is it?
00:56:49There she is, that little blonde.
00:57:03What is your name?
00:57:04Good
00:57:04Well, you're not bad at all.
00:57:06You think?
00:57:09How old are you?
00:57:11Sixty
00:57:12I'm talking light-years.
00:57:14Twenty-one
00:57:15I'm going to invite you to a party
00:57:17What kind of party?
00:57:18Music, dance, love, grass
00:57:20There's a little money for you
00:57:22And this one?
00:57:23You've mistaken me for a cow.
00:57:26You'll see how much fun you have
00:57:30Music, dance, love, grass
00:57:44Now this is a palace!
00:57:45The owner must be a poor soul.
00:57:47You said it.
00:57:48A poor little thing
00:57:54No, no, no, no, no, no, no, no, no, no, no, no we
00:57:59Tampunk, dance, love, weed
00:58:21What time is it?
00:58:23Time to wake up.
00:58:24Tony, it's not useless for you to insist.
00:58:26Teo doesn't like conversation when he's traveling.
00:58:28Yes, but it will have to be operated on at a station.
00:58:31What do we do here?
00:58:32Nothing is being done.
00:58:34It feels like we're holding a wake for a dead person.
00:58:36Federico had allowed us a surprise.
00:58:38Make it something fun.
00:58:41Attention, friends!
00:58:43Musicians, that's it!
00:58:45I present to you the most fascinating street girl of today.
00:58:48Her name is Giana.
00:58:49But who is he?
00:58:50A fox, she doesn't see it.
00:58:52And what does this one have that I don't?
00:58:54Ladies and gentlemen,
00:58:55The young lady has been hired for the sole purpose of...
00:59:01Start Tonino.
00:59:05Let the sacrifice be fulfilled!
00:59:07To the Salamo!
00:59:08Oh no!
00:59:09But it's impossible, I'm promised.
00:59:12The wedding march!
00:59:17You're crazy, crazy!
00:59:19Not knowing you!
00:59:20You have to be decisive!
00:59:24Okay, okay, keep your hands still,
00:59:25I'm not a holy water font.
00:59:29You're crazy, crazy!
00:59:31One moment!
00:59:32Shut up, all you Sabestians!
00:59:34If you manage to make a man out of him,
00:59:36There are one hundred thousand lire for you.
00:59:39Get naked!
00:59:40Get it in tune!
00:59:41Ah, and you, when the time is right,
00:59:43Let's see if you grow up like a real man, huh?
00:59:45Oh, what things!
00:59:47Are you ashamed?
00:59:48Come on, get naked!
00:59:50Yeah!
00:59:51Oh, you're so embarrassed!
00:59:52Attention!
00:59:54Eve versus Eve, what a thing!
00:59:58Put it on!
00:59:58But you don't feel anything!
01:00:00One moment!
01:00:01Excuse me!
01:00:01But I know what's going on.
01:00:03With all this confusion,
01:00:04with all these people in front of you,
01:00:05Not even a normal guy could do anything.
01:00:07Of course this!
01:00:09Leave us alone, okay?
01:00:11And I swear to you that I will achieve the miracle.
01:00:13But then we didn't have any fun.
01:00:15What matters is breaking the ice.
01:00:17Then the little act is repeated, okay?
01:00:19But are you sure that...?
01:00:20My word!
01:00:21Come on!
01:00:21Mark your names!
01:00:22Come on!
01:00:22Out!
01:00:23Oh, I didn't know anything!
01:00:24Hello!
01:00:24Come on!
01:00:25Avearte!
01:00:25Come on, Dad, be patient!
01:00:29Come on, artists, guys!
01:00:31Come on!
01:00:32You promised us, huh!
01:00:33When a fox gives her word...
01:00:35What a moment, what a moment!
01:00:39Come on!
01:00:40Everyone out!
01:00:41Everyone out!
01:00:48Oh, what are you going to do!
01:00:49I'm just a young girl!
01:00:50Nothing, but who are they?
01:00:51They're all a bunch of cuckolds.
01:00:54wretches,
01:00:54Drugged, drugged, drugged!
01:00:56Drug addicts?
01:00:57Of course, the whole house is full of grass.
01:00:59There are quintals.
01:01:00How disgusting, it's in the toilet!
01:01:02But I don't take it because I'm decent.
01:01:04Like you.
01:01:06Okay, so what?
01:01:08Are you telling me?
01:01:10Calm down, calm down!
01:01:11Give us time!
01:01:14No!
01:01:15No!
01:01:16No!
01:01:18No!
01:01:18No!
01:01:19No!
01:01:19No!
01:01:20No!
01:01:21No!
01:01:21No!
01:01:21No!
01:01:24No!
01:01:24No!
01:01:26Get naked?
01:01:28It's cold, daughter.
01:01:29Are you going to get something?
01:01:30No!
01:01:31She's not getting naked!
01:01:34No!
01:01:34No!
01:01:40No!
01:01:42No!
01:01:49No!
01:01:51No!
01:01:51No!
01:01:52No!
01:01:52No!
01:01:52No!
01:02:01The only thing I can give you is an aspirin, why else?
01:02:04You can give him the aspirin and a little something, okay?
01:02:23Tell us!
01:02:24It's underneath!
01:02:29Bend down, stay still.
01:02:30They're watching us through the keyhole.
01:02:32Warriors!
01:02:33Hey, that window is on the outside.
01:02:36Yes, to the garden.
01:02:40What are you going to do?
01:02:42What are you going to do?
01:02:44Silence!
01:02:45What are you doing, dredgers?
01:02:46I'll try.
01:02:49And what about the 100,000 they promised you?
01:02:51Maybe next time.
01:02:54And you're a saint, a saint.
01:02:57And now, take a look.
01:02:58Give a little scream and they'll believe it.
01:03:01You'll see how I deceive those onlookers who wanted to lose me.
01:03:06Oh!
01:03:07Oh, mother!
01:03:08No no!
01:03:10And that's too much, isn't it!
01:03:12What is he doing to her?
01:03:16Let me go!
01:03:17Let me go!
01:03:43Dr. Moretti, who is he?
01:03:45Hi Alberto, this is Diana
01:03:49Sorry if these hours bother you
01:03:51If your father is there, pretend you're talking to the hospital.
01:03:54What's the matter?
01:03:56A setback
01:03:57Where are you?
01:03:58On the road almost to a kilometer of sky
01:03:59Would you mind coming to pick me up?
01:04:02It's a gas station
01:04:08So...
01:04:09I don't know what you'll think
01:04:11In the middle of the night, in the middle of the countryside
01:04:13And completely destroyed
01:04:14So you're exhausted
01:04:17I'd say you're in great shape.
01:04:21I think you've misunderstood.
01:04:23I don't know if you'll believe me, but I'm on duty.
01:04:28We've arrived, good night
01:04:31But Diana, don't do anything silly.
01:04:33We will not fear an occasion like this again.
01:04:35Do you want to leave?
01:04:37Have you behaved like a good boy?
01:04:38Why do you want to throw everything away?
01:04:39Precisely because I've behaved like a good boy
01:04:41I deserve a reward, don't I?
01:04:44Let me
01:04:45Let me
01:04:46Let me
01:04:46Let me
01:04:48Young man, don't insist
01:04:49If you don't want to, then leave.
01:04:50And why are you getting involved in this?
01:04:52Oh well!
01:04:53Oh well!
01:04:54Oh well!
01:04:55Oh well!
01:04:55Oh well!
01:04:56But leave me alone!
01:04:57But leave me alone!
01:04:57But leave me alone!
01:04:59So you're interested in this?
01:05:01I'm interested, I'm interested
01:05:02I'm so glad you understood.
01:05:04There's nothing like talking everything crazy
01:05:30Oh well!
01:05:34Oh well!
01:05:35Isn't it necessary to convince yourself in that way?
01:05:37And the commissioner told me to camouflage myself!
01:05:39To camouflage!
01:05:40But I never imagined I'd become the most peripatetic of peripatetics!
01:05:44And it almost caused a scandal!
01:05:45My son has been involved in a fight with a pappón.
01:05:48Dad, what are you saying?
01:05:50I must thank Commissioner Antinori,
01:05:52who has had the brilliant idea of bringing you directly from me.
01:05:56Siduere!
01:05:57There's one more thing I don't understand!
01:05:59Be your stavi a battre, no, no, I apologize for inquiring into Tor di Quinto.
01:06:04Why is my device ready to turn on the Cassia's 10th kilometer?
01:06:09Moo!
01:06:10Questo per me è un vero mystery.
01:06:14I'm sorry, I dopo have seen that the Tardioli was in the gallery, I don't have the power to walk.
01:06:18Ma poi è arrivato quello con la Giulia e sono dovuta andare con lui.
01:06:21E sennò quello scopriva chi ero e buonanotte a Ersecchio.
01:06:23E allora?
01:06:24And now my baby is in a villa.
01:06:26I'm going to study how to scappar.
01:06:27Ma when ho svegato che c'era a drug twist...
01:06:30Drugs?
01:06:31Uh, yes.
01:06:32Subito has added the orecchie.
01:06:34Hey, keep in mind who knew what was happening at the party when this photo was taken.
01:06:39Se c'è, lo riconosco di sicuro.
01:06:41Who inside is an electronic cervello.
01:06:44E tu che cosa fai qua?
01:06:46You're going home, right?
01:06:47Va bene, non ti agitare, ford via.
01:06:50Ciao, Gianna.
01:06:51Yes, I greet you.
01:06:53O seguimi, dottore.
01:06:54Vediamo un po'.
01:06:56Sfoglia?
01:06:58Sfoglia?
01:06:59Sfoglia?
01:06:59Hai riconosciuto qualcuno?
01:07:01Ma questo è Tonino.
01:07:03Tonino il mammola.
01:07:04Fai vedere, fai vedere da qua.
01:07:05Fai vedere, dottore.
01:07:05È il mammola.
01:07:06I know it's a small fish, but this means that the manette is willing.
01:07:09Who says so?
01:07:10Ecco quello della Giulia.
01:07:11Fai vedere?
01:07:13Federico Innocenzi detto Borotalco.
01:07:14Borotalco!
01:07:15Borotalco!
01:07:16Borotalco!
01:07:16Faccia venere di a parco.
01:07:18Ricercato delle polizie di tutto il mondo.
01:07:20In collaboration with the most powerful global organizations that do occupy the stupefacent space.
01:07:25Oppure a beautiful taglia dei narcotic donkey.
01:07:27E lei se lo ricorda, vero?
01:07:29È lui, è lui.
01:07:29Ecco qua.
01:07:30We know, we anchor in time to find it in the villa.
01:07:32Bravo, this is a beautiful idea.
01:07:33Su, faccia sattare l'operazione volontaria così.
01:07:36E le comandie.
01:07:37Fuori, via, via!
01:07:39Hey, bye!
01:07:42Via, via!
01:07:43Good morning, Countess.
01:07:45Eccellenza.
01:07:46Arrivederla.
01:07:46Si copra, Baronessa.
01:07:48Al fretto.
01:07:48Hey, expensive!
01:07:49Don't abuse, don't abuse, don't abuse me!
01:07:55Dana!
01:07:56Come with me!
01:07:57Mi è always piaciuto l'uomo brutale!
01:07:59Ma cammina in amoto al sole!
01:08:01No, a te non inizio!
01:08:02Goes!
01:08:05Giammina!
01:08:06Oh no!
01:08:07Giammina!
01:08:07Ma andiamo con la macchina!
01:08:10Caricateli!
01:08:11Caricateli tutti, caro Moretti!
01:08:13Popine anti-drug operation!
01:08:16Legateli tutti i mani e piedi!
01:08:18Agenda Mitucci, il rapporto commissario?
01:08:20Bravo!
01:08:21My raccomando, quei innocenti non fatelo scappare!
01:08:23Manettatelo bene, mani e piedi, mi raccomando!
01:08:26L'innocenzi?
01:08:27Innocenzi?
01:08:28Borotalco?
01:08:28Borotalco!
01:08:29Ma io non l'ho visto!
01:08:30Borotalco lo c'è!
01:08:31Non c'è Borotalco?
01:08:32Non c'è!
01:08:33Non c'è Borotalco?
01:08:34Borotalco lo c'è!
01:08:35E allora?
01:08:37Goodbye taglia!
01:08:37Insomma, abbiamo prisoner i pesciolini, ma non il pesce grosso!
01:08:40Vabbè, as well as fish, a beautiful frying if you always do!
01:08:43Ma che cavolo va leggendo?
01:08:44Excuse me, dear, excuse me!
01:08:46Prego, prego!
01:08:46No, I speak in senso figurato, I say one volta fritti and pesciolini e poi il pesce grosso è il più
01:08:52fuori eh!
01:08:52Quelli non parlano antinori, sono lattarini!
01:08:56Mount, you pig!
01:08:57I can't!
01:08:59I can't!
01:08:59Tu c'ho!
01:09:01T'aspetto dentro!
01:09:02Non lo abbiamo a trovare!
01:09:08Pianello!
01:09:09Order!
01:09:10Command, commissioner!
01:09:11Detti pochi eh!
01:09:14Qui in centrale!
01:09:15Chiama commissario Antinori!
01:09:16Qui commissario Antinori!
01:09:17Passo!
01:09:18Attention!
01:09:19Anna Tardioli si trova su un cornicione del prison, Signor commissario!
01:09:23Anna Tardioli?
01:09:24Yeah!
01:09:24Inraccia di buttarsi di sotto se qualcuno si avvicina!
01:09:27Stamatta!
01:09:28Ma chi?
01:09:28Ma dov'hai, dov'hai?
01:09:29Tutto subito!
01:09:30What does the commissioner say?
01:09:31No, I say...
01:09:32Ho capito, va bene!
01:09:33Va bene!
01:09:33Allora passo e chiudo!
01:09:35E chiudo volo io qui!
01:09:36Forever!
01:09:37Close!
01:09:38Tutti a Re Bibbia!
01:09:39Yeah!
01:09:40A Re Bibbia di Corsa!
01:09:47Via!
01:09:48Via tutti!
01:09:51Via i fotografi!
01:09:52Via!
01:09:52Frigaliere!
01:09:53Frigaliere!
01:09:54Qui ho un bell'inficio!
01:09:56Order!
01:09:56Allora cosa succede?
01:09:57Nothing to do!
01:09:58Have tried the director, and watched the fire and the fatto!
01:10:00E dove è adesso?
01:10:01È lassù!
01:10:01Lasciatemi stare che me voglio amazzare!
01:10:03Ma guard quella non sa niente a me te!
01:10:05Go away!
01:10:06Via che me butto!
01:10:07Via!
01:10:10Ciao papa!
01:10:10Insomma stanotte has not slept nessuno!
01:10:12I went home, I was the only one I released and everything was lucky!
01:10:15Only this story began to scocciarmi!
01:10:17Sono due ore che aspetto!
01:10:18My butt!
01:10:18My butt!
01:10:18Ma che si butti e la faccio finita!
01:10:20Non me lo credo che mi butto!
01:10:22Ma finisci da fare questa scene!
01:10:24Diana!
01:10:24Diana!
01:10:25But what are you doing there?
01:10:26Low!
01:10:27Prefierma mi cuchi!
01:10:28My life is over!
01:10:30That girl is completely crazy!
01:10:32What will he try to do?
01:10:33Everyone knows!
01:10:34She's crazy too!
01:10:35Calm!
01:10:36What's it to you if I want to kill myself?
01:10:38What do we do, commissioner?
01:10:39What did he do to get up there?
01:10:41What the hell do I know!
01:10:42But who told him to go up there?
01:10:44I don't swear to it!
01:10:45I can't stand you!
01:10:48I'm jumping!
01:10:49Now I'm going for it!
01:10:50I don't swear to it!
01:10:52What are you showing off to the suicidal woman?
01:10:53Don't vote for you!
01:10:55Well, we certainly are!
01:10:56I no longer care about leaving this world!
01:10:58Now that's how a mother talks!
01:11:00Mother!
01:11:01Mother!
01:11:02What do you do with your life?
01:11:03Why have you brought my son here?
01:11:05You've gone mad!
01:11:06Now I'm the crazy one!
01:11:08And you want to kill yourself with a little boy like that!
01:11:10You deserved to be killed for real!
01:11:12My little Chuyito!
01:11:13Mommy's little heart!
01:11:15Treasure!
01:11:16Treasure!
01:11:17Thank you!
01:11:17Thank you, and may God bless you!
01:11:21Diana!
01:11:22What are you doing there?
01:11:23This one, as long as she digs up a bird, doesn't care where she has to climb!
01:11:25Diana!
01:11:26Go down whoever follows!
01:11:28Ah!
01:11:29Ah!
01:11:32Ah!
01:11:33Ah!
01:11:35Ah!
01:11:37Ah!
01:11:39Ah!
01:11:39Ah!
01:11:40Ah!
01:11:46Ah!
01:11:55Ah!
01:11:59Ah!
01:12:00Ah!
01:12:02Ah!
01:12:03Ah!
01:12:04Ah!
01:12:05Ah!
01:12:09Ah!
01:12:11Ah!
01:12:12Ah!
01:12:14Ah!
01:12:14He forgave you for acting like a whore in Tordequinto during your free time off.
01:12:18But if you don't put your legs together right away, you won't have my forgiveness.
01:12:22You came all this way to tell me those stupid things.
01:12:25Get me out of here, I'm growing up!
01:12:28And don't leave me hanging!
01:12:33Stand back! Get out, get out!
01:12:34Come on, move aside!
01:12:35We have to take the street vendor!
01:12:37Out, Tavujas! Out!
01:12:39I'm fine! Leave me alone!
01:12:41Don't listen to him! Come on!
01:12:42No, Mom!
01:12:43No, Mom! I'm fine! I'm not doing anything to myself!
01:12:46Fast!
01:12:46Leave me alone! Where do they want to take him?
01:12:49I'm not well!
01:12:50But why do I have to go to the hospital!
01:12:53They're closing the door!
01:12:55Calm down, calm down!
01:13:00Hey, stop! Stop!
01:13:01It has to stop!
01:13:03Hey, stop! Stop!
01:13:06I want it to stop! Halt!
01:13:17Calm down!
01:13:18Calm down!
01:13:19I have to do a check-up visit!
01:13:21Ow! No, Rio! I'm afraid!
01:13:25No!
01:13:25This is no joke!
01:13:27I'll tell you what's broken!
01:13:29Will I finish or not!
01:13:31Giana, you're confused!
01:13:33I need to examine you thoroughly!
01:13:35I need to see you looking well, Giana!
01:13:37What do you have to see?!
01:13:38I'm going to close your eyes!
01:13:40You're a sex maniac!
01:13:42I have to explore you, Giana!
01:13:51And if you want to explore, go to the Amazon?
01:13:57Everything was perfect.
01:13:59Nothing has happened.
01:14:02Is something wrong?
01:14:05Take one!
01:14:07Revelation of the police's most intimate secrets.
01:14:10Close-up of a courageous female agent.
01:14:14Spectacular striptease by a female police officer.
01:14:18Taken out!
01:14:19They want to use the scandal to increase circulation.
01:14:23No, everything is revealed here, my dear Moretti.
01:14:26And you know what I say?
01:14:27That girl terrifies me.
01:14:29In return for your help.
01:14:30No no!
01:14:30I mean, it exasperates me.
01:14:32Bring him here, bring him in.
01:14:34Let it through! Go ahead, let it through!
01:14:37Ah, you go! Sit down!
01:14:39What? Have you seen all this?
01:14:40Is it my fault?
01:14:42No, it's not your fault.
01:14:43We already know that.
01:14:44You have been a heroine.
01:14:46But there is no doubt that the police have been ridiculed.
01:14:49No?
01:14:49You have to see it to believe it.
01:14:50And I thought they were going to give it to me.
01:14:52If that unfortunate woman survived, it was thanks to me, wasn't it?
01:14:55He no longer tries to understand.
01:14:57I personally thank you for it.
01:14:58But what does the ministry know?
01:15:00For that, what matters is the scandal.
01:15:02The ridicule of an institution.
01:15:04They called me and emphasized that your panties weren't regulation size.
01:15:10In short, after saving that woman, what do they plan to do with me?
01:15:14Kick me out of the police force?
01:15:15Move?
01:15:16Prosecute me?
01:15:17Tell me!
01:15:17No no.
01:15:18You'll just have to take on lighter, simpler, more...
01:15:22How would I put it?
01:15:24Sedentary.
01:15:24No.
01:15:25I feel bad sitting down.
01:15:26You're fine anyway.
01:15:28I believe it.
01:15:29In any case, we will try to stabilize you.
01:15:31Sure, because the girl is young, brave, and good.
01:15:36As...
01:15:36How do we place it?
01:15:38What does it matter?
01:15:39No matter how we place it?
01:15:40The point is that we need to put it in place.
01:15:45It's not right that a police officer like me should have to deal with stolen motorcycles.
01:15:49No.
01:15:55I'm sure the bird has gotten lost again.
01:15:57What bird?
01:15:58His.
01:16:00Poor man.
01:16:05Poor man.
01:16:05Hey!
01:16:10What are you doing?
01:16:11Has he lost it again?
01:16:12It's not that I've lost it again.
01:16:14He hasn't caught him yet.
01:16:15Wait for me to go up, I have more experience.
01:16:25Hey!
01:16:26You, help me.
01:16:29Let's go.
01:16:35How are you doing?
01:16:39Okay, so where's the volatile component?
01:16:41I don't know, I was here.
01:16:42Don't worry.
01:16:43I'll get it for him.
01:16:47Hey!
01:16:47Hey!
01:16:50Hey!
01:16:51Hey!
01:16:52Hey!
01:16:53Hey!
01:16:54Hey!
01:17:07Ha!
01:17:08There is no ethics.
01:17:11Stop in the name of the law!
01:17:13Yes, take me.
01:17:15Hey, what about my bird?
01:17:17Don't worry, if not today, it will be tomorrow, but I will get it for you, I promise.
01:17:23Hurry up, we have to get to Borotalco.
01:17:25Is it a bird?
01:17:26Yes, be careful, it's rising, let's keep it dry.
01:17:28Yeah.
01:17:32Careful!
01:17:32Careful!
01:17:36But what are you doing there?
01:17:39What I know!
01:17:40For!
01:17:49Don't lose it any longer!
01:17:52For!
01:18:14Turn it around and go into the middle of the street!
01:18:17I'm cold!
01:18:19Call him in!
01:18:21Central!
01:18:22Central!
01:18:30Wait!
01:18:30Wait, wait, stop!
01:18:31For!
01:18:44This is Commissioner Antiori.
01:18:46I'm following you to Borotalco in the blue zone.
01:18:48Okay, buddy, don't lose sight of him.
01:18:49We'll be right over, over and out.
01:19:02We already asked for it.
01:19:04Hopefully, commissioner.
01:19:19Thankfully these facades are very solid.
01:19:26Unfortunate!
01:19:26And now what do I say to my boss!
01:19:49I'm falling, I'm falling, I'm falling!
01:19:53I'm falling, I'm falling!
01:20:11May you drown!
01:20:12Murderers!
01:20:13For once I was actually reading Terilco del Día!
01:20:16Accelerate!
01:20:17The Ereo, I tell you, pass it!
01:20:19We have to get there before Antiori!
01:20:21Understood!
01:20:35Oh no, boss!
01:20:36It's happened to us!
01:20:36Don't let him take us away!
01:20:38Hurry, hurry!
01:20:39We have to catch him!
01:20:44Run, run, fast!
01:20:47Don't worry about this one, I'll get it!
01:20:49Don't worry!
01:20:51Celebrant Mijera, pass it on!
01:21:12Don't worry about this one and me!
01:21:27Keep playing racing games!
01:21:33Where has he gone?
01:21:34It's turned around!
01:21:36Where are we going to take a bath?
01:21:38I don't give a damn where Borotar went with your commissioner.
01:21:56Baby, when I'm with you it feels like I'm traveling!
01:21:58Me too!
01:22:05This car hasn't been running as well as it should lately.
01:22:07You need to check the carburetor.
01:22:09Yes sir!
01:22:30That?
01:22:30From the countryside.
01:22:39Good morning!
01:22:50Here it goes!
01:23:11Oh my goodness, what have we done?
01:23:14What's the matter?
01:23:15Are you tired?
01:23:15A bit.
01:23:17But I've been the one driving the whole time.
01:23:20Come on!
01:23:32Borbalco, you are under arrest in the name of the law.
01:23:35Good morning!
01:23:37Come on!
01:23:38Where?
01:23:40And in such circumstances,
01:23:42It is our duty to emphasize the value and spirit of selflessness
01:23:46of all law enforcement agencies,
01:23:48without excluding any,
01:23:50daily committed to maintaining the unparalleled fight against crime,
01:23:55in defense of the safety and freedom of the citizen.
01:24:00We, grateful,
01:24:02We wish to reward acts of genuine courage
01:24:04of these men
01:24:05and particularly of women
01:24:08of the female police forces,
01:24:10such as Miss Gianna Micucci.
01:24:17Which has contributed with its courageous gesture
01:24:20to extinguish and smother
01:24:22one of the most dangerous hotspots for crime
01:24:25in this city.
01:24:29I can't stand you.
01:24:34And now, filled with immense joy,
01:24:39deeply moved and grateful,
01:24:42we are about to award
01:24:44with the gold medal
01:24:46to police assistant Gianna Micucci,
01:24:51which has aroused admiration
01:24:53from the highest civil authorities,
01:24:56military and religious
01:24:58from all over the country
01:24:59as a meritorious member of the female police force.
01:25:29Congratulations!
01:25:31Congratulations!
01:25:33Thank you, Your Heaven!
01:25:34Thank you!
01:25:35Very good, my daughter, keep it up.
01:25:39Beautiful and brave!
01:25:41Ete etiambona!
01:25:43Beautiful, brave, and good!
01:25:49Where do I put it?
01:25:51Right or left?
01:25:52It doesn't matter where I put it,
01:25:54It's well placed.
01:25:55That's also true, Your Eminence.
01:25:57So, let's put it here.
01:26:00Who left the bird out?
01:26:02Oh, come here, you cretin!
01:26:04Come here!
01:26:07But what has been done?
01:26:08Where was this done!
01:26:10How it flies!
01:26:15Tarabo!
01:26:16Yes, sir!
01:26:19Tarabo!
01:26:20Yes, sir!
01:26:21A squad of ornithologists
01:26:23and proceed with the capture!
01:26:24Fast!
01:26:25Yes sir!
01:26:28What does all this confusion mean?
01:26:30Calm down, calm down!
01:26:31We're in Montecitorio!
01:26:33Open the window!
01:26:34I, I, I'll get him, commissioner!
01:26:36I'll take it!
01:26:37Leave me alone!
01:26:38Out!
01:26:38That bird!
01:26:39I'll take it!
01:26:40That bird is mine now!
01:26:45It's my little bird!
01:26:47It's alive!
01:26:48It's alive!
01:26:49Leave him alone!
01:26:51Not in peace!
01:26:52My little bird!
01:26:53That's the way!
01:26:54That's the way!
01:26:58She's my lame one!
01:26:59Let's see, a ladder!
01:27:00Hurry, you wolf!
01:27:01The ladder for my sweetheart!
01:27:03Here's the ladder!
01:27:09Moron!
01:27:10Now, at order!
01:27:11Aaah!
01:27:27There it is!
01:27:29Don't crush it!
01:27:30My little bird!
01:27:33There it is!
01:27:34My little bird!
01:27:34Yeah!
01:27:38Here it goes!
01:27:43Here it goes!
01:27:46Hey!
01:27:47Incelence!
01:27:47You have very long hands!
01:27:49Take it!
01:27:50Oh no!
01:27:51The bird is mine!
01:27:52I promised!
01:27:53Ah!
01:28:02I got it!
01:28:03This Mixi is wonderful, she realizes it.
01:28:06What I don't like is that he picks up the bird with such familiarity.
01:28:10I've got it!
01:28:24I've got it!
01:28:57I've got it!