- 4 minutes ago
Igra sudbine 1952 epizoda (1. 11. 2026)
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TVTranscript
00:00To be continued...
00:30I don't know what it looks like.
00:31I don't know yet. I would know that it is.
00:35But it would be funny when you would have heard that you would have escaped from your jataka.
00:40Like this black jataka, I wouldn't give this man that he would have heard of me.
00:48Okay, here is more than what you have told me.
00:52It is, it is, it is.
00:53When I eat all day, I throw a bagar to clean for the soil.
00:57When I eat all day, I clean it in the house.
01:00The doctor made a peace. You just have to peace.
01:05When you say the doctor, do you think about the situation?
01:08That's right. And the battle is telling me about it. I did not listen to you.
01:14Okay, what do you have to tell me?
01:18I got a new task.
01:20Which one?
01:22I am convinced that I am in contact with Aleksa Mojegovic.
01:27What about him?
01:29Juruš has some unparalleled job with him.
01:33That is, it is, Mr. Mojegovic's name is written to Mr. Mojegovic.
01:38It does not have to say.
01:51Mama, nothing will help you, the design is a tension.
01:54Okay, what am I going to do now?
01:56I'm going to sit with my hands, right?
01:58These people are in front of us.
01:59I will find that they are in front of us.
02:00They are in front of us, and they are in front of us.
02:03They are in front of us, who is the danger to find us?
02:04I don't know that Vukashin has sent us to be here.
02:08Wait, wait, there is a danger.
02:11I didn't say that.
02:12No, no, Asija, wait, what are they here if there is a danger?
02:20Asija...
02:21Asija, tell me if Vukashin has given us some information to Daniela?
02:25No, mama.
02:27Sure?
02:27Sure, sure.
02:28I'm sure not.
02:30I've called Vukashina and asked us to put us in front of the police so I could have a little
02:35bit of a calm down.
02:35But I'm not sure.
02:37I don't know what to say. I really don't have another solution.
02:43I know, Asija, that you're trying.
02:45Mama, there is no indication that Daniela can do anything else to do.
02:50And we know where we are.
02:52And we know that something is trying to do.
02:56I know, Asija, but I don't know what to do.
02:58I'm getting into this feeling like I'm in an absurd state.
03:01Mama, that's just a normal situation.
03:04But I understand you,
03:07you've been eaten by that time in the last time.
03:11Ahhhh.
03:12Sorry, Asija, I'm sorry for my panic attack,
03:15but I don't know more about this because of the investigation
03:18and now it's been up with Daniela.
03:20I don't know what I'm going to do.
03:22I'm okay.
03:24I have one idea.
03:27Who?
03:28What?
03:29What are you saying?
03:31I don't know what a sladolet is.
03:33Do you see this?
03:36There's a budget for us.
03:38I have something to do with you.
03:39Okay, I have something to do with you.
03:41I have something to do with you.
03:43Don't worry about it.
03:44Don't worry about it.
03:46Let's go for two sladolets.
03:49Let's go.
03:49Let's go.
03:56Let's go.
04:11Let's go.
04:12Let's go.
04:12You won't want to solve the problem with Alex.
04:14I haven't said that.
04:16I don't understand.
04:17What are you trying to do with me?
04:20What do you know about Alexi?
04:23I don't know anything.
04:25I don't think you were able to read in the news.
04:28He was successful.
04:29I know a lot more.
04:34No, I don't know a lot more.
04:36I know him and I know him.
04:39We are not in good relations.
04:41I understand.
04:42What did you decide to do with him?
04:45He was not in good relations.
04:46I mean, his brother was a man of mine.
04:49He was no problem with me.
04:50He was not in good relations.
04:51So, he was on the problem.
04:52He took a while.
04:54He was a problem.
04:56But he had supported his words.
04:58He returned to a while.
04:59So, he can't kill anything.
05:01That's all.
05:02It was until the end of the day. Then you gave him a protector.
05:07Yes, yes. Bukashi was always on fire.
05:13Now you know why he had to get there?
05:17Wait, what do you want? What do you want? What do you want?
05:20What do you want? What do you want to do with Alex?
05:23That's not the plan.
05:25But it doesn't mean that it won't happen.
05:28It doesn't mean that it won't happen.
05:30We should get into contact with him.
05:33And to convince him to sell half of his company in Russia.
05:37He already bought half of it.
05:39Yes, I remember Gabriel. I would have heard about it.
05:45What are the reasons for that? I don't know.
05:48But it would have meant to tell me everything you know about Alex.
05:51He would know how to tell him.
05:53You know what, Alex is a very intelligent type.
05:57He is a smart guy.
05:59He is standing on his feet.
06:02And I don't believe that he could be able to sell him to another company.
06:10If you want to lose power.
06:12I don't know if he is going to open the door.
06:14I will open the door.
06:20I will open the door.
06:21We will see the door.
06:36What do you say?
06:37You will see the old old Cuban Man he is going to open the door.
06:48So, you go to the corner.
06:48I can't hide in your pocket.
06:54That's right.
06:57To turn the door in their pocket.
07:01You can't hide in the pocket.
07:04You can find the tightest nerves, in the pocket.
07:06You can see it in the pocket.
07:07But if you don't get it, we can think of a cuban who is in his butt.
07:17We don't have to think about anything, trust me.
07:22You're right.
07:31Hey, listen.
07:32Listen.
07:35Booker me two cards for the cuban.
07:39Yes, return.
07:41What are you doing, man?
07:44Yes, two return on an unknown.
07:48Come on, come on.
07:52Just to tell you, I don't go to the cuban.
07:56What?
07:58Well, because it's early and because it's not just a little vacation.
08:05What, love?
08:07Well, you said you don't want to think about it, but let's organize it for a little vacation.
08:15It's early.
08:19Well, you know that I'm a serious person.
08:22I know, serious and emotional.
08:25You don't have to tell me that every time.
08:28But I want to tell you a lot of this.
08:39Good morning.
08:44Good morning.
08:44Is there anything I'm going to say?
08:48Good morning.
09:02Is there anything I'm going to say?
09:08Good morning.
09:09Good morning.
09:13I don't know.
09:13What's happening?
09:15It's great.
09:17You know what I'm doing?
09:19I've never had to forget it.
09:21I've never had to forget it.
09:23I've never had to do anything.
09:24Do you understand?
09:25Good, you know how good it looks.
09:27It's great.
09:29It's great, when you say it.
09:30It's great to say it.
09:33Oh, man, you're coming to the ground!
09:35Oh, damn, man, you're amazing! You're so beautiful, natural, empty-en, see?
09:42You're so beautiful, empty-en, as you can.
09:46You're so beautiful, like-umb-wing, and the boys are looking at me.
09:51Well, you've been looking at me that I've been looking at you.
09:55You've been looking at me, I've been looking at me,
09:55I've been looking at you, in my eyes,
09:56Hello there, and you can hear from you all who moved to the phone and took the face.
09:59You picked it up and saw the face and looked at you.
10:04You was a good one, Cool.
10:07You was so very angry, and you still haven't left the line on the streets!
10:09What did you do?
10:12You thought you were lying because you were a kid.
10:15You didn't come out because you were a bad kid.
10:17You've been so smart.
10:20How they were elegant and charming.
10:22I swear you're my old man's legs,
10:25I'm just saying enough.
10:26I'm glad you're here for that.
10:29What is that?
10:30What if you don't want the word to him?
10:30And that Kinesis.
10:32I'm sorry to remember him,
10:34it's only Kinesis.
10:35I am sorry to remember him.
10:37I'm sorry to remember him.
10:37More than the other thing,
10:39you know him,
10:39you know him?
10:40Or no.
10:41You see him?
10:42If so, you know what I'm wrong and why I'm wrong.
10:44If so, you know him!
10:45If so, you know him!
10:46The house is slurred while you're asleep.
10:49He's not there.
10:50Are you not sure?
10:50You are dreaming and you're going to die all night.
10:54Give me the shit, give me the shit, give me the shit, give me the shit.
10:59You are the man who is in a village, not who is in a tree.
11:01Me?
11:02You.
11:04Well, okay.
11:05What are you doing?
11:07Why do you do that to me?
11:09I'm not talking to you.
11:10I'm not going to eat anything.
11:12I'm not going to eat anything.
11:14There's no food, no food, no nothing.
11:16I'm not eating any one in a tree.
11:18I'm gonna cry, sorry.
11:20You are going to go to the edge.
11:23I'm going to get that.
11:24My manager, I'm going to do this.
11:27We'll upload and end up.
11:28What do you do?
11:30I upload and upload it on screen, you understand?
11:34What do you do?
11:34I'm going to upload it to many years.
11:37You have any language I know.
11:38Any language, English, Spanish, Spanish,
11:41a man can't explain anything.
11:42I'm going to upload it, I'll pay it to my advertisement.
11:45I'm going to go to etar.
11:47What?
11:48What to do?
11:49For this stupid thing, we need to give money.
11:51Give me one more.
11:52I'll give it to my wallet.
11:54I'll give it to a word.
11:57For a word?
11:59If God bless you, listen to me.
12:01I'll pay you, pay you, pay you, pay you, pay you, pay you.
12:04You'll pay me, pay me, pay me!
12:06I won't do it!
12:08I won't do it!
12:08A man, my old man, what is it?
12:12I'm going to upload the news, a few days later.
12:13My little days later, I'll watch the news,
12:15I'll see how many comments will happen,
12:17how much will I like you,
12:18and then we'll be able to make sure what we do.
12:20You understand, Emido?
12:21Thank you, nice to me, nice night.
12:23You're welcome, I'm going to go.
12:25I'm on my mind, I'm on my mind.
12:28I'm on my mind.
12:30I'm on my mind, my mind.
12:39Come on, come on, it's open!
12:44Good evening, Mr. Mido.
12:47Good evening, Mr. Mido.
12:50Let me tell you, Mr. Mido.
12:56I'm here to tell you that you, Mr. Mido, are clean.
13:16I'm here to tell you, Mr. Mido.
13:17Do you want me to use the material for this long hours?
13:22Yes, yesterday I took my daily dose of the material,
13:26and now I'm here to get the heftalice.
13:28Stella, do you know where Tanja is?
13:33I really didn't know that.
13:35Thank you, Mr. Mido.
13:37That's what I am.
13:38When I'm caught, I have to be punished,
13:40when I'm in the chemist and the corrector.
13:43And the punishment is hard to be.
13:45Yes, hard to be, but right.
13:49And the director loves to get everything through my teeth.
13:54Tanja, don't hurt me. Tell me what you came to.
13:57Just leave this contract and tell me to tell you.
14:01Okay.
14:03You came.
14:04You came.
14:06Now you can go somewhere to enjoy.
14:09And you both?
14:11The whole city is on your hands,
14:13and you are here in the cathedral.
14:15Boris is calling me to show the cathedral.
14:17I thought we were going to talk about a little job,
14:20about opening a new company,
14:21but we haven't always come to those topics.
14:24We'll go.
14:27How do you both enjoy?
14:30Tanja.
14:32Hi.
14:34Hi.
14:36Hi.
14:37Hi.
14:58And?
15:03Hi.
15:05Hi.
15:06Hi.
15:07Hi.
15:07Hi.
15:08Hi.
15:08If I'm a man, I'm a genius.
15:11How did you get to that?
15:13How did you make a decision?
15:13How did you make a decision?
15:14How did you make it so fast?
15:27You don't want to talk about it right now, understand?
15:30I don't understand.
15:33I don't understand.
15:34Wait, do you want to say that it's for your internal use?
15:37No, no, no, no.
15:39There's nothing to understand.
15:40We did some experiment.
15:44Let's see how everything will happen.
15:47We can go ahead and go ahead.
15:49I go ahead and see how you shoot a clip on Mandarin.
15:57There was no Mandarin.
15:59No, it's Chinese.
16:01Mandarin?
16:02It doesn't matter if Mandarin or Chinese.
16:05I'm going to tell you that it's so sweet.
16:09I haven't had a few years ago.
16:10I heard something.
16:13And that's it?
16:14It's okay.
16:16It's okay.
16:17No, no, no.
16:19I'm sorry.
16:20Maybe it sounds like a little bit,
16:23but I'm really so happy.
16:26I'm just saying something really funny.
16:29Okay.
16:30Let's say it right now.
16:31I'm just a little bit off.
16:32You understand?
16:33Because it's Chinese, it's not just simple.
16:36I don't know what it means.
16:39It was a strange answer to the melody.
16:41You understand?
16:42You know what?
16:43When the children see the clip,
16:45they will only laugh.
16:47But not here.
16:49But in the cinema.
16:50Where?
16:51In the cinema.
16:52What did you say in the cinema?
16:53I didn't laugh.
16:54I did not say it.
16:55What?
16:56It's a speech?
16:56No, no, no.
16:57It's a speech to you.
16:59It's a speech.
17:00It's a speech.
17:01It's a speech.
17:02It's a speech that you are not a rational speaker.
17:04But the speech that you have made is the key.
17:08What is that?
17:09What is that?
17:09I don't know what it means.
17:11I don't know what it means.
17:13He told me that it is a message for sponsorship.
17:17You understand?
17:18You know, while the other people at the university
17:21were drinking coffee in the pause,
17:22I was interested in a little bit
17:26What?
17:28I wrote what you said.
17:31Really?
17:32What is that?
17:34I can't believe it.
17:40I can't believe it.
17:40I can't believe it.
17:41I can't believe it.
17:41How do I remember it so quickly?
17:43Every time.
17:44I wouldn't be so happy.
17:46I'm stupid, stupid.
17:50I can't believe it.
17:53I can't believe it.
17:53I can't believe it.
17:55I can't believe it.
17:57You are stupid.
17:58You are very intelligent.
18:00How do I know?
18:01You're stupid.
18:02What you said in Mandarin,
18:05that means that I am stupid.
18:09I'm stupid.
18:11What?
18:13You are stupid?
18:16I'm stupid.
18:20You are stupid.
18:22You are stupid.
18:24You are stupid.
18:26My eyes don't see you!
18:28I see him.
18:28See him!
18:30I'm the stupid river!
18:34Gorane!
18:35Gorane!
18:37Stop it!
18:39Stop it, Gustav and Aplog!
18:42Don't hear anything!
18:43Don't pay!
18:44Gorane!
18:48Let's sing!
18:50What song do you want?
18:52A ballad?
18:53Don't cry!
18:55I don't cry!
18:56You just have to put a baton first.
19:00I think I was wondering something.
19:04Let me let Tanja.
19:06Tanja is a good girl,
19:08but this is between us.
19:11It's a little chocolate in the head.
19:13Is it?
19:14Yes.
19:16You know how to do massive chores.
19:19I see, you know.
19:21Let's leave it.
19:22That's the councilorist.
19:24Okay.
19:24It didn't work like that.
19:26I believe that it is.
19:28I understand you.
19:30We all work like that when someone sees us.
19:33What else do we do when we're all in the councilor?
19:36There's a lot of work.
19:37I'm going to break my brain so that we don't do this.
19:39Okay.
19:40Okay.
19:42You've never had anything with him.
19:45Of course not.
19:46I'm not crazy.
19:48I'm going to do an affair on the job.
19:50Okay.
19:51Let's trust you.
19:53I don't want to fall asleep.
19:55That's all.
19:56You?
19:57With your smart eyes?
20:00Let's go.
20:01Let's go.
20:02Let's go.
20:03Let's go.
20:04Let's go.
20:06Okay.
20:08I'm sure you could have fun.
20:13Let's go.
20:14Let's go.
20:34Let's go.
20:35Genghis Khan was my best version.
20:38That's right, that's the light that gives me the most light.
20:42This is my other life, what am I doing here?
20:47Now, let's go.
20:49For example, this life.
20:53For example, you've been a nosorog.
20:57Nosorog? No, it's not bad.
20:59Nosorog, you've been hurt so that you've lost your chest in this life.
21:06Maybe I'm so sick.
21:09No, nothing.
21:11Do you have this life where you...
21:15Where did you go?
21:22Prostitutka.
21:23In Paris, at the end of the 18th century.
21:26Everything I saw.
21:26Could I be a woman?
21:31No, of course.
21:33It's not bad. It's just karma.
21:36Karma is the most important thing.
21:40As a prostitutka, you've suffered from a syphilis infection.
21:46That's a very good way to end your life.
21:50Tell me, what was your name?
21:54No, it's not a name, not a half, but just karma.
22:01Karma, karma.
22:02Karma, karma.
22:05I know, I've been a Genghis Khan.
22:07I've thought that it's true.
22:10It's true.
22:11It's true.
22:12It's true.
22:13It's true.
22:16It's true.
22:17It's true.
22:30And sex, and poor sons.
22:32Okay, I mean, it's something that happened to me.
22:38I was a little bit of a baby in a human environment.
22:41It's not important.
22:42It's nice or nice, it's not important.
22:44It's just something?
22:45Karma.
22:47Bravo, I'm going to move on.
22:48You have to get more of it.
22:51You have to get more of it.
22:51You have to get more of it.
22:53You have to get more of it.
22:53You have to get more of it.
23:08How are you doing?
23:12What's happening here?
23:25Oh, what does it do?
23:32Oh, oh, oh.
23:37Good morning, Mido.
23:39Evo je, kafica za dobro jutro.
23:47Čekaj, ovo mi je bolje.
23:50Više kajmak.
23:52Šta je, Mido?
23:54Ajde, budi se, budi se.
23:58Idemo, Mido!
23:59Sutjeska ušla u ligu šampinjona.
24:03Diš se, budi se, ajmo.
24:07Lako, brate, trepni dva puta, znamo da si živ.
24:12Oćeš li ti da radi o klagija?
24:15Ja ti to kažem zbog druga.
24:18Šta je s tobom, brate?
24:19Oćeš li poželeti dobro jutro čoveče, Bože?
24:21Mene nije bila ni laka noć, a kamoli dobro jutro.
24:27Dobro Mido, to se tako kaže, dobro jutro.
24:32Dobro jutro.
24:33Ej, jadan je taj dan kome ti poželiš dobro jutro.
24:37Šta je bilo?
24:38Ništa, ništa nije bilo.
24:41Da li će biti?
24:43Nešto ti meni ne izgledaš kao da je ništa?
24:47Ooooo, boljela me glava ti ovu noć.
24:51O kad sklopio, nijesam.
24:53A što nisi popio lek?
24:55To sad postoji, znaš, medicina je napreda.
24:58Popiješ lek i...
24:59Ko rukom odeš eno?
25:01Ma nijesam mogo, pančeta, toliko me glava boljela.
25:04Mnogo, mnogo, nijesam mogo ni da ustane.
25:08Oće to kad se čovek naliže brlje.
25:11Ma nemoj, pa kapi popio nijesam, kapi, zeru.
25:15Znači, toliko je stvara ozbiljna?
25:18Toliko.
25:19Slršiti mene, ja sad nemam vremena da se ovde prepiram i peglam sa tobom.
25:24Ja idem na pijacu, idem u nabavku, imam posla.
25:28Kad se vratim, ima da budeš rasanjen, ima da budeš neglavoboljen, zombiranja bez.
25:37Bez zombiranja.
25:39Eto tako, nema zombiranja.
25:41Nema.
25:43Aj pa piću kafu, posledaj da mi nisi pipno.
25:49Sve sam zapamtila kako mi stoji.
25:52Budi se bre.
25:54A je budu.
25:54O ljudi moji.
25:59Gde mi je onaj ceker?
26:02Aha.
26:16Ti!
26:17Stani!
26:19Ti malik, ti malik, dođi vam.
26:20Ja?
26:21Dođi vam.
26:22Šta ću?
26:22Dođi ova bošedika ti kažem.
26:24O evo.
26:25Ajde brže malo, vrdaj, vrdaj, vrdaj.
26:26O evo.
26:28Sad ćeš da mi odgovaraš za sve što si mi napravio što si mi namjestio.
26:32Sa sve!
26:49Gde si mala?
26:51E, nemoj tako da mi se obraćaš.
26:53A dobro, princezo.
26:55Moje ime je Asija.
26:57Dobro, Asija.
27:00Treba da se vidim sa starim vukom.
27:04Ne može.
27:05Tako misliš, ne može, besi?
27:07Ne može.
27:08Vukašina ima razloge zašto se ne vidje sa ljudima.
27:12Pa ja nisam ljudri, ja sam komaracri.
27:15I dalje ne može.
27:17Sluša me ti mala balavice.
27:18Kako smo tako brzo stigli od princeze do balavice?
27:22E, ja mogu i gore da ti se obraćam.
27:24Verujem.
27:27Slušaj, ali neću iz poštovanja prema, znaš, već kome, prema mom prijatelju Maksimu.
27:33Koji za malo bi izgubi glavu zbog tvoje majke.
27:36Nemoj nju da mešaš u to.
27:38Šta će ti vukašin?
27:40Pa, slušaj, treba mi moram nešto ozbiljno da mu prenesem važna informacija.
27:45Dobro, reci meni i ja ću mu preneti.
27:48Od toga nema ništa.
27:50Pa onda ne znam šta da ti kaš.
27:51Sigurno neću rizikovati njegovu bezbednost zbog tvojeg hira.
27:55Doviđenje.
27:57E, čekaj, čekaj, čekaj, bre.
28:00Nije hira, bre.
28:02Hajde se nađemo da porazgovaramo o starom Vuku.
28:07Kad?
28:07Izmeni, četiri pete.
28:09Dogovoreno.
28:17Jeli, kojega tu starog Vuka pominjiš?
28:20Tjepo.
28:20Tjepo.
28:21Tjepo.
28:23Tjepo.
28:24Tjepo.