- 6 minutes ago
Igra sudbine 1950 epizoda (30. 10. 2026)
Category
📺
TVTranscript
00:01I've been reading a little bit about Gene Giscan's biography.
00:06You know, Rina, there are a lot of similarities. You were right.
00:10But, God, there are some differences.
00:14What differences?
00:16He killed so many people in the world.
00:20He has a lot of children. I don't have so many children.
00:25What is your question? Your eternal soul?
00:28Okay, okay. I believe. I 100% believe in your vision.
00:33And don't worry about Gene Giscan.
00:36At the end of the day, it's not the only life you've lived.
00:39Life before life.
00:41How much of it is lived and forgotten.
00:43Really?
00:44Yes, yes. Your previous life is only the most famous and the most famous one you've been.
00:49But you're not the only one.
00:52Wait, Rina.
00:53How much have we been to life before this year?
00:57We're going to have to look at this new season.
01:00We're going to go to life between lives.
01:03It would be important to know what is your task in this life.
01:07I'm so tired.
01:10I'm so tired.
01:12I'm so tired.
01:13I'm so tired.
01:14I'm waiting for you to see you when you're free for the next season.
01:19we're going to have to talk about your time.
01:20Maybe tomorrow?
01:21Tomorrow, that's how great.
01:23I'll call you to tell them exactly what time is.
01:30Who are you talking about?
01:32With Pancet.
01:34I was calling her to ask him to get a little upset.
01:36He was feeling a lot.
01:37With Lukashin and everything.
01:40Are you sure?
01:42Yeah, I'm sure.
01:43No, sure not.
02:04Sponsors are serious people, serious companies, and world sponsors.
02:11What are you doing?
02:11What are you doing?
02:12Okay, good, good, good.
02:14When you're going to sponsor Alexa, you're sure?
02:18What is Alexa?
02:19What?
02:20Far East.
02:22Far East.
02:23Far East.
02:24Far East.
02:25Look at me.
02:27I told you that our mothers are coming to us.
02:30You understand?
02:30When we sell our mothers, we sell our mothers.
02:33You understand?
02:35You understand?
02:35What are you doing?
02:37What are you doing?
02:38I can't do it.
02:39You can't do it.
02:42You're good.
02:43You're a matter of fact.
02:43I'm more than not the person, you're a big fan.
02:46You're a big fan of the Harte.
02:48You're a big fan of the Moodle.
02:50You're a big fan of the Moodle.
02:52You're a big fan of the Moodle.
02:55I'm a big fan of the Moodle.
03:04This is so loud, that the people said that for the first clip we will send you $1,000.
03:11KUKU! $1,000!
03:14$1,000!
03:15How do you say $1,000?
03:17Why do you say $1,000?
03:18Why do you say $1,000?
03:19They wrote that on this paper, what you will say, means on their language.
03:26Here, read it.
03:28What do you say?
03:29Here, on the other side, one is ours.
03:33You just read it!
03:35I read it!
03:37Your language.
03:38A little confused.
03:48Yes...
03:49Things...
03:51Let's go, let's go!
03:56Did you ever hear $1,000?
03:58Do you want to read a word?
04:00Keep it up and learn.
04:01I don't know what to do.
04:03I need five days to do it.
04:07You're crazy.
04:08You go to school,
04:08you learn a word,
04:11you learn a word,
04:11you learn a word,
04:12you learn a word,
04:12you learn a word,
04:12you learn a word,
04:12you learn a word,
04:13you learn a word.
04:26Come on.
04:27Let me hear the name.
04:30Come on.
04:32Come on.
04:33Come on.
05:06Come on.
05:09Come on.
05:11Come on.
05:11Come on.
05:13Come on.
05:16Come on.
05:22Come on.
05:23Come on.
05:37Come on.
05:40Come on.
05:44Come on.
05:45Come on.
05:46Come on.
05:47Come on.
05:50Come on.
05:51Come on.
05:51Come on.
05:52Come on.
05:52Come on.
05:53Come on.
05:54Come on.
05:54Come on.
05:55Come on.
05:56Come on.
05:58Come on.
05:59Come on.
06:00And now he can't sit down the night and read a book about Genghis Khan, about Mongolian.
06:05How soon he falls on him?
06:08It's hard to believe.
06:11You see, people need to believe something, so you can leave him alone.
06:14Just don't give him a horse so he can't pay him.
06:18I see this is very good.
06:20But I don't believe that this is all over.
06:36Tell me one thing.
06:38Why Uroš doesn't call me personally?
06:40There's a phone, there's an advocate, there's people.
06:44Why is everything in front of you?
06:47Because Uroš doesn't call anyone personally.
06:50He called me earlier.
06:52Earlier he was on the road.
06:54Now he's inside and looks like he's getting away from everything.
06:56There's always someone who's inside.
06:58If someone's inside, he's inside the middle.
07:00And he doesn't know anything or anything.
07:02You're inside and you?
07:04Today I'm, tomorrow I'm someone else.
07:06That's how he does when he's gone.
07:09So, he's not just unconfident to me?
07:12No. Unconfident to everyone.
07:15Don't be able to take you to the heart.
07:17No, nothing to the heart.
07:20How is Uroš?
07:21Okay, he's in the middle of the cell.
07:24That's the best.
07:24Yes.
07:25He has a nice view on the door.
07:28In fact, he will be on the middle of Belgrade.
07:31Who is that?
07:32No.
07:34No.
07:34He is in the middle of it.
07:36No.
07:36No.
07:38No.
07:38No.
07:38No.
07:39No.
07:39No.
07:40No.
07:40No.
07:51No.
07:54I'm not afraid.
07:56I'm afraid.
07:57What?
07:59He's done the job.
08:01The food was.
08:02The trees were up.
08:04Who should see the videos?
08:06Now I'm waiting for you to see what he got for it.
08:09For now, he's only hearing.
08:11Hearing is better than some other things you can get.
08:15I know it.
08:17I don't know.
08:18It's really good.
08:22Okay.
08:24If he starts to make a mess,
08:26he'll throw it before someone else decides anything.
08:30I said okay.
08:32He's patient with Paša.
08:34He's my man.
08:35I'm holding him.
08:38Is that all?
08:39No. We have a new task for you.
08:44What task?
08:48What do you need?
08:49Do you want to send him to a fool?
08:51Of course.
08:53Okay.
08:54I'll talk with him.
08:55I'll try to understand him.
08:56Okay.
08:57What do you want to do?
08:58What do you want to do this?
08:59What do you want to do with him?
09:00What do you want to do?
09:00And you do what he's doing with him?
09:02I'm going to get mad at him.
09:04I'll get mad at him.
09:05I'll talk with him.
09:06I'll do this again.
09:09I'll get into that.
09:11I'll do this again.
09:12I'll do this again.
09:13It's a bit of a mess.
09:16I'm sorry, I'm sorry. I'll talk with him.
09:18Sorry, but you can't talk with him, understand?
09:21I don't know if you understand that in these years I thought
09:24that I'm going to get into a peaceful phase of life,
09:27where I'm going to play with my uncle.
09:30And what do I do here? I'll return to your house.
09:34I'll talk with him, I'll do it.
09:37I'm going to talk a little bit more.
09:39Because it's not a bad idea.
09:42Are you serious?
09:43I'm not serious, of course.
09:44I'm sorry, I'll do it.
09:46I'll start with my house like a panchetta.
09:48Okay.
09:53Chinggis Khan, I can't think.
10:09What is the task?
10:11You need to go in contact with Alex Možegović.
10:15Who is that?
10:16The owner of a company in which Uroš has a property.
10:20Uroš has bought that property a little before they were in the hospital.
10:25Okay. And?
10:26You have to convince him to sell his part of the company to Uroš.
10:30To sell?
10:31To sell his whole part.
10:33Uroš wants the whole company.
10:35What will they do to sell his house?
10:37What will they do to sell his house?
10:40I don't ask you, I don't ask you.
10:42You don't ask me.
10:43The company is worth it.
10:44And it will be worth it even more.
10:45The company is worth it.
10:46It doesn't buy anything that doesn't cost you.
10:48You know, I don't like it.
10:50I don't like it.
10:50I'm a little bit like that.
10:51I'm a little bit like that.
10:54I'm a little bit like that.
10:54You don't need to look like that.
10:56How do you look like that?
10:58First of all, I'm going to get him out of the door.
11:04I'm going to convince him to sell a company.
11:08Tomorrow, I'm going to get him to bring a bag in the door.
11:11You are one of the rare people who he still has confidence.
11:15That's not a small thing.
11:16Yes, but it's enough to call me personally and tell me that.
11:20That community doesn't need to turn away from the thinking that Uroš had in you.
11:24He thinks everything is the best.
11:26That's why it gives you to yourself, not someone else.
11:29Okay.
11:31How do you think you do that?
11:33I don't know.
11:34But you do it.
11:35I don't know.
11:38That Žegović is a man with money.
11:41They don't sell it because they're nice to them.
11:45That's why Uroš is sending you to the non-advokate.
11:48What?
11:49Who won't be, Milo?
11:50Bez Zile.
11:51Uroš ne želi nikakvu buku oko tog.
11:53I don't know.
11:53First of all, nice and see.
11:55First of all, nice.
11:57And if it doesn't go well?
11:58Then you'll call us and we'll talk about what's going on.
12:02Don't do anything on your hand.
12:04Nothing on your hand.
12:06I understand.
12:08Where can I find this guy, Žegović?
12:10We'll send you the number.
12:29And then...
12:34How could I find this guy?
12:35No, no, no.
12:43What's going on?
12:45It's going to be a sign on our wedding.
12:47You'll be meeting him.
12:48What is this?
12:49No, no, no, no.
12:52What is this?
12:54What are these hieroglyphs?
12:56What do you write?
12:57What are some secret numbers?
12:59What are some secret numbers?
13:00What are some secret numbers?
13:02This is a Chinese language,
13:06so I'm trying to teach them.
13:08You wrote here one sentence.
13:12The message is a huge number.
13:16What are you saying?
13:18It's nice to say
13:19and express yourself
13:21that you don't put your skin on now.
13:23Let's go.
13:25I thought I was thinking about it,
13:26but now I'm going to go.
13:29I'm going to go.
13:30I'm going to go.
13:32Let me go.
13:33Let me go.
13:37Goran told me that I found a store.
13:40It's a lot of Chinese.
13:42I think it's a lot of work.
13:44They want to wait for the Chinese New Year
13:47with us in Maldives.
13:49Mido,
13:51don't forget my mind.
13:53Maldives are renovated.
13:56And the Chinese New Year is only in February.
13:59For me, it's not only a panchetta.
14:02I don't know where it is.
14:04I'm ready to go.
14:06I'm ready to go.
14:06I'm ready to go.
14:07I'm ready to go.
14:09I'm ready to go.
14:11I'm ready to go.
14:14How does it mean?
14:17I don't understand.
14:18Okay.
14:19I'm ready to go.
14:21I'm ready to go.
14:22I'm ready to go.
14:23I'm ready to go.
14:24I'm ready to go.
14:24Perhaps they will stay in the next doublework.
14:27That's a thing.
14:28That's a story.
14:29Do you know what I'm like?
14:30What's that?
14:31The Chinese don't know exactly why they are not aware of the same.
14:37They're all at us.
14:38That's only the beginning.
14:40I don't know.
14:41You know they're already in the same way.
14:43I understand you.
14:44And what will you better speak Chinese.
14:47I'll have a lot of
14:48more.
14:50That's right.
14:52What are you talking about here?
14:54What are you talking about?
14:56What are you talking about?
14:57What are you talking about?
14:59I am talking about you.
15:02Who are you talking about?
15:05You!
15:06I'm going to get you.
15:08Go on, go on.
15:10What do you have?
15:11I have to.
15:12If you want to make money,
15:15you have to learn all this beautiful.
15:18If you need to sing.
15:20No, my concerto.
15:20You have to sing in Chinese.
15:22No, no.
15:24Wait.
15:25The text.
15:29Okay, you don't have to sing,
15:31but let's go.
15:31Mm-hmm.
15:33I hate to sing."
16:03especially in school. We did a lot about Nemanjić and Zanjka.
16:09Yes, it's nice to know Nemanjić.
16:13I wanted to ask you if I look at him a little bit.
16:22No, no.
16:24No, no. He's a Mongolian.
16:27You understand? I'm an Europeanian.
16:30But when you look at the image, you look at the shape.
16:37You're a small boy.
16:40Let's go.
16:43Let's go.
16:44Let's go.
16:45No.
16:46You're not talking about Luleta.
16:49You're a bit of a picture of the last time.
16:51See, I thought I'd send you a trip.
16:54What a trip.
16:56You remember when you remember Zanzibar.
16:59When I remember Zanzibar?
17:01When you remember Zanzibar.
17:02You remember when you were a girl from Gabriela.
17:04Well, that's what I just said.
17:07You see, I bought a card.
17:09How did you buy a card?
17:11I bought a card.
17:14Just for me?
17:15Only for you.
17:17I mean, Flej, Ivane, Flej.
17:21Do you see, Alexa, what is this to me?
17:23Or would you have to have me?
17:43She's a...
17:50Oh...
17:53She...
17:59what is that?
18:01stop.
18:01but that's why it is not as true
18:03that's why it is not as true
18:05this is nice word
18:07this is nice to have you signaled
18:09do you understand?
18:10i have already written it
18:11she and she
18:14she says she
18:15she is another word
18:16she
18:17she
18:18she
18:18she
18:19she
18:19she
18:22I know, I can't see.
18:26But I can't see.
18:27I can't see.
18:28I can't see.
18:28And I can't see.
18:29And I can't see.
18:31I can't see.
18:33I'm not sure what is written here.
18:44I don't know what it means.
18:44But it's important.
18:45I'm going to teach you what's nice.
18:48Let's go.
18:49Come on, come on.
18:50Come on, come on, come on.
18:52If you want to work, then you have to.
18:55From the beginning.
18:57Then you start from the end.
18:59You can go back.
19:00Okay.
19:01When you take your paper, then you read everything.
19:03I know what's your problem.
19:07What?
19:08You don't want to stop it.
19:10You don't want to stop understanding.
19:14You have to do it.
19:15You don't want to stop it.
19:17You can explain in your head
19:19that it's a little bit
19:21that it says
19:22Happy New Year.
19:24And then...
19:26See you?
19:28That's the problem.
19:29You can call it Happy New Year.
19:33For us, it's three words.
19:34For us, it's Happy New Year.
19:36every day, how to explain this into the world?
19:40No, but explain why.
19:43The language is so niez.
19:46Where do I know?
19:50Tell us?
19:52Not to me.
19:53No, ben I am!
19:55We call him, Ruzo, he is first able to read what he means,
20:02and then there is a translation we'll learn and will do it.
20:05I have to sing.
20:06Ruzo!
20:07How is it Ruzo?
20:08What is it?
20:09Wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait.
20:13Leave the room for you to come home.
20:15What do you have to do?
20:16Take care of you.
20:18What do you have to do?
20:18What's the name, brother?
20:19A new year old man is only in February.
20:22I'm going to have time to learn what I want to do.
20:26Go, I'm tired.
20:27I'm tired, I'm full of all of this jazz.
20:30I'll get out of here.
20:32Let's go, mother.
20:33Let's go.
20:34Can't be eating a pig, you can't sit in the same time.
20:37Really, really, Mido, you don't have power.
20:41That's it, you don't have power.
20:43O, si, ge, ge, ge, ge, ge, ge, ge, gu, to.
20:52It's not that boy, I'm on it.
20:56GEDAIIII!
20:58Nothing simple.
21:00It's a little bit like a clicker.
21:10I think I'm not going to get away from you.
21:12I think I'm just going to get out of the way you need to get out of the way.
21:17What do you think of it?
21:18For example, this house, the souls, the past lives,
21:22and you can change the middle.
21:25Why did you get out of the way?
21:27Why not?
21:28And when is the night?
21:29Tomorrow.
21:30Tomorrow?
21:31Well, you see, I can't do it tomorrow.
21:34And I won't go.
21:35Why?
21:36Because I won't go myself as a clown.
21:39And you will stop treating me like a clown.
21:42Let's go slowly, no one doesn't treat you like a clown.
21:44I know that you don't have thought of me alone.
21:49I don't know who the song is.
21:52Fly, Robin Fly.
21:54In this case, Fly, Ivane Fly.
21:56I know who the fingers are attached.
21:59It's the song of your mother.
22:01Okay.
22:01Okay.
22:01You were a little drunk on your head.
22:04That's right.
22:05That's the limit of her patience.
22:08Okay, Ivane.
22:09Okay.
22:10Let me ask you something.
22:12Do I have to blame you for what I believe?
22:15Do I have to punish you?
22:17Do I have to blame you?
22:19No.
22:19No.
22:21No.
22:21Then, stop treating me like a clown.
22:25Let me send your mother to the Zanzibar.
22:27No one goes up there and get yourself gone by fooling me,
22:31and I will leave you in peace and take a quality time with my uncle.
22:36Come on.
22:36Get healthy!
22:55Hey, come on, tell me if you have anything.
22:58I don't have anything yet.
23:00But the number of people who get messages,
23:01I sent an analysis of people who deal with it.
23:04For a few days, I'm out with my address.
23:08What kind of people?
23:11No, don't ask them.
23:14Don't ask them.
23:14It wouldn't be nice to know.
23:16And then?
23:18Then I'll talk to you with what she writes
23:22and your partner will never get messages.
23:27How is she?
23:29Ksenija, Ksenija.
23:31She's doing everything in order.
23:33It's the best.
23:35I know, I know.
23:37That's what I've noticed.
23:39My time.
23:40Thank you for doing this.
23:42You will thank me when we end up at the cafe.
23:46I already told you that you're not my type.
23:47That's what I've just said.
23:49But I'll have to get out of here.
23:50Okay, tell me if you know anything.
23:52I love you.
23:54I love you.
23:55I'll have to get out of here.
24:04I love you.
24:06Mr. Ksenija, good.
24:10Ivona?
24:11You?
24:13Yes.
24:13Yes, I am.
24:16I can't believe.
24:18I can't believe.
24:20Yes, what?
24:20I can't believe that you're going to see your photo.
24:23Where?
24:25With one of my friend.
24:27With one of my friends.
24:28With one of my friends?
24:28With one of my friends.
24:29With one of my friends working at a Beogradian restaurant.
24:32You've got your CV there.
24:34I don't have a clue for my job.
24:35In any case, I saw your photo.
24:38Which restaurant is in question?
24:39Okay, it's not important.
24:40What's the restaurant is in question?
24:41Sorry, please.
24:42But I'm so important to know which restaurant is in question.
24:45Even though my photo is made from hand to hand,
24:47I would like to know where it started.
24:50La Bubu Malubu.
24:51It's a Japanese restaurant.
24:54You have to try sushi from the outside.
24:57Yes.
24:57Yes.
25:00I don't think so.
25:01I've got my CV there.
25:02Okay.
25:02It's kind of finished there.
25:03Now, I've seen your photo.
25:07Okay.
25:08Excuse me.
25:08How can I help you?
25:10Ivona.
25:12I want to make you a queen.
25:17It's not perfect.
25:20I want to make you a queen one more...
25:27I want to make you a queen.
25:28a queen.
25:30I'm going to make you a queen.
25:31Do you want to make sure?
25:33What?
25:35How?
25:37I want to make you an account?
25:39To the hotel?
25:40But I didn't want to go in and not get drunk.
25:44When are you so sensitive?
25:46And when are you so sensitive?
25:50I'll be back tomorrow, I'll be back tomorrow.
25:55Who is the girl?
25:57There is no girl, but a business partner.
26:00Oh, business partner?
26:02And at the end of the day, I love you so that it was business partner.
26:07I'll be back tomorrow.
26:11You didn't?
26:13Okay, I'll start from tomorrow.
26:17Is this or there is a girl?
26:20Nothing. I mean, a combination.
26:23A man, two meters with his fingers, nothing.
26:29We have to find something.
26:31Don't worry about it.
26:32Don't worry about it.
26:34Look at yourself, what happened to you.
26:36A good job.
26:38Now, a circle.
26:40What do you call yourself?
26:41Stella, right?
26:42You'll be back tomorrow, but you'll find me a woman, right?
26:45Okay.
26:46Don't worry about it, don't worry about it.
26:48But everyone needs to have someone.
26:50No, I don't need it.
26:53There is, there is.
26:54You have to. You have to.
26:56You don't want to admit it.
26:57You don't want to admit it in our job.
27:01What?
27:02Because in our job, when you're alone, you end up in the door or in the grave.
27:12If you end up in the door, you're alone.
27:14Then you're alone.
27:14Then you're alone.
27:15If you have someone, you'll come to visit you.
27:20You'll wait for a second.
27:22If you're alone, you'll be in the grave.
27:27Then you'll be in the grave.
27:28Then you'll come and pay the svechno.
27:29You'll be safe.
27:30It's not good.
27:33You won't give it to anyone.
27:36You'll be happy.
27:37Really?
27:40Listen.
27:40Listen.
27:44When you have someone, you give them the chance to kill you, but they don't ask you.
27:50That's why our job, our job workers, what they ask you, how you are a woman, how you are a
27:55child.
27:57And they don't ask anything else.
28:00That's right.
28:02And you didn't always think so?
28:05There was one woman before.
28:07Ah, you see?
28:09You don't see anything, but ask her.
28:17And what was it?
28:24It was only.
28:27It wasn't like today.
28:29It looked like me.
28:32When I go to the room, you know that she left, but you don't stop.
28:37Look at her and right.
28:37They just broke?
28:41It looked like the green哦ś a bandie, right?
28:44Yeah.
28:46It looked like it was too rich.
28:50Oh yeah.