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Igra sudbine 1953 epizoda (2. 11. 2026)
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00:04I don't know what to do.
00:04You've been missing out of me, Mr. Curin.
00:07I've been missing out of my life.
00:08I've been missing out of you.
00:12I don't know how to do this.
00:13I'm not sure how to do this.
00:14You're an energetic piece of paper.
00:16Is it?
00:17You'd be more than ever to get out of here.
00:20You're getting out of here and I'm not going to get out of here.
00:25I'm going to let you know some sort of music.
00:26I can't do that.
00:28Olga, there is no need to be so vulgar.
00:32There is no need to be.
00:33Gospodin Sarina helps me to go into the secret of my existence,
00:38to go through my former life.
00:40It's fantastic.
00:42This body is directly linked to your karmic?
00:46Yes, it's an interesting story between us.
00:49Olga was my wife twice.
00:51It's a nice and interesting story.
00:53That's a problem.
00:54She is a karmic curse that follows all your lives.
00:58Yes, yes.
00:59Gospodin Sarina, come on.
01:01My wife is an alcoholic.
01:04Therefore, it is simply the use of an immune system.
01:10Olga, no.
01:11No, no, no.
01:12Olga, no.
01:13Long-year-old alcohol use has reduced cognitive capabilities.
01:19No, no, no.
01:23I try to explain this to myself, to be upset.
01:25I can't explain it to myself.
01:26I can't explain it to myself.
01:28I will not explain it to you.
01:29I will say that if you don't remove these karmic curse
01:31in a female shape,
01:32the patient will be followed through all your lives.
01:34All your life, as you are, all your past lives.
01:37You will be followed by yourself.
01:40You will be followed by yourself.
01:42You will be saved by yourself.
01:42You know where it is.
01:43I have said what I have said.
01:46You will be saved by yourself.
01:48I am afraid of the karmic curse.
01:48Go and get away, Vina.
01:49I will be envious.
01:58Let's go.
02:06I will know you.
02:19What are you doing, I mean to you.
02:21You miss yourself, it's your life!
02:21You miss it, it's your life.
02:24But I'm still trying to get your head to the store.
02:25I know, I'm still not fighting in a video.
02:29What am I missing, you miss?
02:30I don't know what the doctor said.
02:30I don't want you to kill him.
02:30I'm out of touch, in my left hand, you understand?
02:31What am I with you?
02:32I'm in my left hand, I'm in my right hand.
02:34You understand how you are.
02:35What am I with you?
02:35I know it's your life I want you to do it.
02:37That's the clip where I'm fine.
02:39I'm a stupid guy.
02:41Is it him?
02:42I'm great.
02:43And you're paying for it?
02:45I'm not.
02:47Good, maestro.
02:49And now, a million Chinese people laugh.
02:52All of them.
02:53They're on the street.
02:55They're laughing.
02:57They're not Chinese.
02:59They're not Chinese.
02:59But they're Chinese.
03:00God, I think you're calling me.
03:03I'm just a clip.
03:05Just a clip.
03:05We're single.
03:06And we're going to continue.
03:08But when people are watching him,
03:09he's becoming virally!
03:10Virally!
03:12Virally.
03:13Virally!
03:13I'm coming up.
03:15Virally, I've talked to myself!
03:17My culture, my family, my family...
03:19And my family, my family.
03:21If I'm a family...
03:21I mean a thousand dollars.
03:22What's that?
03:23A thousand dollars?
03:23A thousand dollars,
03:25and a thousand dollars.
03:26They didn't pay for this ever.
03:27It didn't sign up.
03:28It's nothing.
03:29But they don't sign up.
03:31Sure!
03:31There are people who pay a lot of money. I don't know if I was.
03:37What do I know? What do I know?
03:40I know the best person in the world.
03:45They call me a lot of money.
03:48I don't know.
03:50I don't know.
03:51I don't know.
03:54I can't check my phone.
03:57It's all on the phone.
03:59What if I could do anything?
04:00I don't know what to do.
04:02I don't know what to do.
04:04I do not know what you do.
04:04I don't know what to do.
04:05I didn't know what to do.
04:08I didn't know what to do.
04:11If you know what, I'd be paid for 7 million times.
04:14Let me pray.
04:17I don't know why.
04:19I did not know why.
04:19I'm sorry if I can.
04:20I'm sorry.
04:24Look, the mother...
04:27For a few things, people in my village are laying in my house.
04:33And you have to tell me something.
04:37Look at that!
04:40If you want to be better, you eat.
04:42You can eat everything as you can.
04:44It won't be better, town.
04:46It won't be better.
04:55Mido.
04:57Mido.
04:58We are in pain.
04:59Jackpot.
05:00When?
05:32Where are you, Christian?
05:34I pray.
05:36What does it mean to you?
05:39What is it?
05:40Yes.
05:42Yes.
05:42The director wants to go through everything.
05:46Ah.
05:49I'm sorry.
05:51Why did I fall?
05:53What did I fall?
05:55I have to die the whole night.
05:58And did you die?
06:02Yes.
06:03But I asked if I had something to do.
06:10What?
06:10When she is unsure.
06:12Okay.
06:15I didn't know that it was vanilla.
06:19What did you need?
06:23You were the first one.
06:25I decided to go back to Paljbo.
06:28Sorry.
06:29I had to go back.
06:30Yes.
06:32And don't forget to do that again.
06:33Never again.
06:36If she will ask you something,
06:39she will tell her that you are ashamed
06:40and that we are ashamed of it.
06:43And that she will be ashamed of it.
06:45And that she will be ashamed of it.
06:48Okay.
06:49Do I need to mention something first?
06:51No.
06:53If she will ask you something first,
06:56then what do you say?
06:57She will be ashamed of it.
07:00Okay.
07:01What do you say?
07:03Yes.
07:04What do I say?
07:10What do I say?
07:18Yes.
07:19Yes.
07:22What do you say?
07:26You have a temperature.
07:29You have a temperature.
07:30They are paid.
07:30What did they paid?
07:32A thousand.
07:33What?
07:34A thousand?
07:34A thousand dollars?
07:35A thousand dollars?
07:37A thousand dollars?
07:37A thousand dollars?
07:38These are yours.
07:38You are yours, Kiki Rezi.
07:40I want to tell you one thing.
07:42See.
07:43They can pay for the money as much as they want.
07:46And I will all of them to pay for them
07:50and take them more money.
07:51What are you talking about?
07:52How are you talking about?
07:53Why do you tell them?
07:55Why do you tell them?
07:56Why do you tell them?
07:57Because they have caused my heart disease.
07:59Because they are in the middle of the blood
08:01and my good and dear heart.
08:03That's why I will take them
08:04and take them from the middle of the business
08:06and take them to the ground
08:08and take them to the ground.
08:08No, no, no.
08:09I want to tell them.
08:10No, no.
08:11That's a good people.
08:13Who?
08:13The Chinese.
08:15The Chinese.
08:15Those are our brothers.
08:16How many of them are.
08:17I can't see.
08:18You can see the rest of them
08:19and you can't get them.
08:21But a thousand dollars
08:22and you can't see them.
08:24Wait, look here, what is the English one.
08:26What is the English one?
08:27What is the English one?
08:29This is how many people are sad.
08:33So, something.
08:34And he says,
08:35Mr. Mido has played a lot of our people.
08:39What is it?
08:39Mr. Mido, how do they look for me?
08:41Yes, the Chinese.
08:43And they say, we want Mr. Mido to be a protectionist of our company.
08:49No, it's not coming.
08:51What's coming?
08:52No, it's not coming.
08:53What's coming?
08:54I'll take the money.
08:55No, I can't. I won't. I won't. I won't. Let's go.
08:59But I'll go to the far east. I'll go to the far east.
09:03Okay, let's go to the far east.
09:06Let's go to the far east.
09:08Mr. Mido, my friend, my friend, my friend, my friend.
09:11Bata Živojinović is the largest legend in China because of Valtera.
09:15No, no.
09:16You'll be like Bata Živojinović.
09:18You'll become bigger than him.
09:20You'll make slacks when you come to China.
09:22Every China has a number of people.
09:24A million and a half of people.
09:25Two, three million people have to wait for you.
09:28To wait for you in China, in Shanghai, in Peking,
09:30all the people fall in China.
09:32Maybe, maybe.
09:34But he was a hero.
09:35No, I mean, no.
09:37Yeah, no, no, no, no.
09:40This town is a big fan.
09:40Two years away.
09:43No, no, no, no, no, no.
09:47To me, no.
10:00You vale.
10:00No.
10:03To me.
10:05What do you think?
10:07We have to stop the project. We have to stop the project.
10:10We have to stop the project.
10:11Okay.
10:12We have to stop the project.
10:14We have to stop the project.
10:15We have to stop the project.
10:17What do you mean?
10:18They came and said that the files were changed.
10:23It was not until they were.
10:24Oh, don't worry.
10:26It was not until they were.
10:27It was until they were by the cafes.
10:30And when I bought them the perfume for women
10:32they had to stop the project.
10:33It was until they were there.
10:35They said that they were changed by the state level.
10:39Okay.
10:40And what is changed here?
10:42I don't know.
10:43They need the lawyers to teach them.
10:46You don't know.
10:47You need to know.
10:49You need to know something.
10:51I will know when the lawyers explain to me.
10:54The only thing I can say is that it is very complicated.
10:58Complicated?
10:59Okay.
11:00And how much will it cost us?
11:03It's probably about 6 months.
11:066 months?
11:08You are not normal.
11:09The project is going to be 6 months.
11:12I know.
11:13But what can I do?
11:17There is nothing.
11:18There is nothing.
11:19There is nothing you can do.
11:20You have to stop a year for 2 months.
11:24See what can be done.
11:27No, no, no.
11:28You don't understand me.
11:29There is nothing you can do.
11:31You have to stop the year for 2 months.
11:34Or you and I have to finish the story.
11:42What happened?
11:44There is nothing you can do.
11:48What is it going to happen?
11:48Do you know what happened to me?
11:48We need to stop the building on the lines.
11:53Why are we going to do that now?
11:55Nothing.
11:57Plan A is going to be a plan B.
12:02Okay, so let's go to the option of the purchase of the company from Uroša Nikolić.
12:08That's right.
12:11Now you'll have to work a little more.
12:26You'll have to work a little more.
12:31The walls are small, everything is heard.
12:34And you're trying to hear it.
12:39I'm glad I knew who a man.
12:42Who is that old Vuk?
12:44What do you care about?
12:48You know, it's not good, but when a man hears the old Vuk,
12:52it's a bit of interesting information, and even a princess,
12:56and I'd like to hear the eyes of the dead.
12:59Okay, but if you're interested in the old Vuk,
13:01who is Toti and Kladionić?
13:04He has the best idea for riding a horse.
13:07Kladionić?
13:08Yes, Kladionić. What do you think?
13:11I didn't think of anything. What do you mean?
13:13Trke Pasa, right?
13:14Yes, Trke Pasa.
13:15Hrtovi.
13:16I heard something about these trke.
13:19What did you hear, mother?
13:21I heard one of a serious man,
13:23that these trke are not true.
13:26What did you say?
13:27What did I say?
13:29How did you say?
13:30Here I am.
13:31These trke were filmed for five or six years,
13:36and then they started to move,
13:37and you know who the winner is.
13:39You sit down, you're holding, you're holding,
13:41and you're like,
13:42and they're like, like a tree.
13:44Let me pray, I don't want to lie down.
13:47I don't lie down, that's what the man said.
13:50Listen to me, these tracks are also alive.
13:55On the internet you have lawyers, you have life, you don't have to lie, you don't have to lie, you
14:00don't have to lie down.
14:00What you say is that you might have to lie down there on your chest, in your small rumpets and
14:05put them down.
14:06In this big city, as I said, there's no lie down, you don't have to lie down.
14:11In this big city, there's no lie down, there's no lie down.
14:14That's right.
14:14I have to remember that.
14:16I remember that.
14:18Okay, now I wanted to give you a coffee.
14:22No, I don't have to lie down.
14:24Now?
14:25Go on?
14:26I said, I have to pay the ticket for the horse.
14:31What will Matija say when you hear that you're walking around the city?
14:34I don't want to run.
14:35I didn't want to pay the ticket.
14:38I'm your friend, my friend.
14:40If you see you, ask me where you are.
14:43Okay, if you're my friend, you're not my mother.
14:46You don't want me to lie down, you don't want me to lie down the street.
14:50Okay, okay, I don't want to lie down.
14:52I just want to say that I'm happy to decide to stay.
14:55That's right.
14:56I'm happy to see you now.
14:58Good, see you.
15:01Bye, bye.
15:16Bye.
15:17Bye.
15:18Bye.
15:22Bye.
15:23I'm sorry.
15:24Listen, people work for years to become popular, to become visible, to become viral.
15:32And after a year of work, they don't do it again. Do you understand?
15:38Mani me, that's what you hear.
15:40But I don't want you to mani, man.
15:41God, you know that you are one in the whole world world,
15:45who has become viral for a day, who has become popular for a day,
15:50who has become a million Kineza.
15:52No, nothing.
15:54Don't come.
15:55How does that?
15:56God, how does that?
15:58I'm a fool of a fool of you,
16:00who has become your sick idea.
16:04Don't worry, I'm so talented.
16:05What?
16:06I'm so talented.
16:08I will be so talented.
16:09I will be so talented to see a million people around the world.
16:12I will be so talented.
16:15I will be talented.
16:17I know I am talented to get sick.
16:19I will not!
16:19I will be so talented.
16:22What they are saying?
16:22What they are saying?
16:23They are the news from the factory.
16:24What they are saying?
16:25They say that the shot has been seen over 300 million people.
16:29300 million!
16:32Oh, my dear.
16:34What they are saying?
16:36They say that they are on social media and that he has become a viral hit.
16:40That's what they are saying.
16:41You don't have to tell me, Gorane.
16:43Mido, listen to me.
16:45See, I know you're making a picture of a picture.
16:49But we both need to continue on this talas
16:52and put everything else you can do with this situation.
16:55Can't you?
16:56No, I can't.
16:58I don't want anything to sell for money.
17:00That's not my pocket of coffee.
17:01You don't drink coffee.
17:02You don't drink coffee.
17:02Okay, Gorane.
17:06You don't know anything about me.
17:08Let's go.
17:10I won't.
17:11I won't.
17:12I won't.
17:14I won't.
17:15I won't.
17:15Oh, what's going on?
17:17I have to tell him, as I know.
17:20And I can't.
17:22I don't call Gorane Crnojevic.
17:24I'll tell him.
17:26I'll tell you, Mido.
17:30I'll tell you.
17:31I'll tell you.
17:31I can't hear you.
17:42Kako?
17:44Kako, kako.
17:46Pa, lako.
17:50A te ne misliš da malo preteruješ ipak?
17:53Why?
17:55You don't want to get me there.
17:57You don't want to get me there.
17:59First I need to get Alex's account for your account,
18:01I need to find Muroša Nikolić.
18:04That's not a lot.
18:06You have the most expensive fee in the firm.
18:09I'm going to play it.
18:12I've done that I've done.
18:14I know I've become a bit more expensive.
18:18I've got a little more.
18:20You know what our plans are,
18:22and you're going to be here,
18:24and moralizing me.
18:26And I?
18:29We know.
18:31I know, but I think that you've stopped
18:34to bring you back to the real things.
18:36What?
18:37Well, for me.
18:40Since you've been in the last time,
18:43the only thing you're talking about
18:45is Stella.
18:46Stella, Stella, Stella,
18:48I'm nothing.
18:49Again.
18:51I told you that it won't last long.
18:54Well, you told me that it won't last long,
18:56but it will last.
18:58That's the job.
19:00And you're trying to destroy it
19:01in your own personal affairs.
19:04I'm sorry.
19:05I'm sorry.
19:06I didn't mean anything wrong.
19:08I didn't mean anything wrong.
19:09I'm sorry.
19:09Don't want to be sorry.
19:10It's not good for the job.
19:13I don't want to talk about it anymore.
19:15I will do everything I can do
19:16to get Duraša Nikolić.
19:18Is that ok?
19:19Ok.
19:21And see how we can see him.
19:26How to see him when a man is in the door?
19:28I understand.
19:29What do you think?
19:29Do you want me to go to the door?
19:30And say,
19:31Good day.
19:31I'm here.
19:32Why wouldn't they let me go to the door?
19:34Why are you kidding me?
19:38You're stupid.
19:40Who's going to go to the door?
19:41You.
19:42You.
19:43Find someone who will send a message.
19:46And that's enough for the beginning.
19:53I don't know what I'm saying.
19:56I'll try.
19:57I'll see what I can do.
20:00Don't wait.
20:02Don't do it.
20:04How do I do it when I don't know where he is?
20:06I don't have a crystal ball.
20:08You don't have a crystal ball.
20:10I don't have a crystal ball.
20:10But you certainly have a good lawyer.
20:14Who you've got.
20:15And now he's ready to return to his job.
20:19Let's remember.
20:23You know what?
20:24When I'm thinking a little bit better.
20:29I think I know who I need to return.
20:33That's right.
20:35Remember your old contacts.
20:38Just turn back and move on.
20:39Move on and press a little bit of the work.
20:41That's it.
20:42Well done.
20:43That's an excellent idea.
20:46You can't do it tomorrow.
20:47You don't have to have to come to the job tomorrow.
20:49Yes.
20:50You now have to get to this task.
20:53We have to die from Uroša Nikolić.
20:57I'm sure you will find out the right it is.
20:58If I know that is an advocate,
20:58I have to help him,
21:00he can help him.
21:00help me. We will know that in the evening.
21:09I love you so much. You can see everything you can when you want.
21:25Okay, so you don't have a Negroni?
21:30No, give me devil-sized.
21:33Unfortunately, we don't have him, sorry.
21:36Maybe you should have been able to use Aperol Spritz.
21:38He has a good, famous вкус.
21:41Aperol Spritz?
21:42Well, you've got three minutes.
21:45Do you think I'm from yesterday?
21:47What do you want to put inside me?
21:49Prsk on orange and the most expensive one.
21:53Please, what do you have in order?
21:55Everything we have is located here, in the coffee table.
22:04Bad, bad, bad.
22:08I don't really know how you plan to do it
22:11with such a bad food card.
22:14Sorry, but I'm not the owner.
22:18I can see that.
22:19I mean, by you.
22:21Maybe I'll make a cocktail for you?
22:24I don't know how to do it for you,
22:26when you don't have a desire until now.
22:29I think you have to improve your food card
22:33if you plan to hold such a special guest like I am.
22:37So, for now, nothing?
22:39Nothing.
22:40Good morning.
22:41Good morning.
22:41Hello, Ivona.
22:41And for you, the guest.
22:43For her, the water will come to her.
22:47Okay, where are you until now?
22:50Ksenija?
22:52You started to behave like Diana Erski,
22:54and here, you're going to get married.
22:57I'm not.
22:59I don't want to be Diana Erski,
23:01but it was sad.
23:02I don't know how long I'm waiting for you.
23:03I'm still on my feet.
23:04I don't know what it is.
23:06Sorry, I'm sorry.
23:07Did you call her Fabiana?
23:11I'm not yet.
23:13What are you waiting for?
23:15What are you waiting for, Ivona?
23:16We're good.
23:18You don't know how much it will be to you.
23:21When you start the objectives,
23:23when you start the drawing,
23:25when you start the drawing,
23:25you start the drawing,
23:27I'm sure you'll see it.
23:28Believe me, Ivona.
23:29Listen to me, Ksenija,
23:31I'm a little skeptical about this question.
23:34I'm not for you to stand against the objective
23:36and now I'm going to go first,
23:38second, left, left, right, back, back, back, back, back, back, back, back, back, back, back.
23:40Oh, I'm going to go and go and take a look.
23:42I don't feel happy.
23:45And on the other hand,
23:47God, you're going to be the same question.
23:50Ivona, listen, listen,
23:51listen to me,
23:52I mean,
23:53you see,
23:55you're wearing a outfit every day.
23:56Yeah.
23:57You're new makeup,
23:58you're wearing a outfit,
23:59you're changing a outfit,
24:01you're traveling,
24:02you're traveling,
24:03you're going to figure it out.
24:05You're going to pay for yourself,
24:06Is there a better offer?
24:10Is there a better offer?
24:12Well, you don't have to.
24:13You know what?
24:16Listen, I've been thinking a little about everything.
24:20Okay.
24:21See, I have one problem. I think it's a problem.
24:25Well, it's always a problem with you, but...
24:27Wait, Ksenija, listen.
24:29I have that problem. I don't know how to choose yourself.
24:32You know, this...
24:36What's the problem, Ivona?
24:37What's the problem?
24:39I need a little help.
24:50Good, good, good. I want you.
24:52Let's love you, let's go.
24:56Who are you talking about?
24:58With Lenko.
24:59Really?
25:00Good.
25:00Hello everyone.
25:02What's her?
25:03What's her?
25:04It's all five years ago.
25:04She was in Palma de Mallorca.
25:06It's really good.
25:06You can also go to your heart and go to bed.
25:09No, I like that I'm here.
25:11But she was crazy here.
25:14Who is crazy?
25:15Irina.
25:17What did you say to Ivana's head about the past lives?
25:20And then...
25:22And I've talked about some different nonsense,
25:24but I didn't have any time,
25:26I didn't have any patience to deal with those things.
25:28Well, are you talking with Ivana?
25:30Or do you want to go somewhere?
25:31Yes, I'm talking.
25:33Or do you want to go somewhere?
25:34Or do you want to go somewhere?
25:35Or do you want to go somewhere?
25:35Or do you want to go somewhere?
25:36I don't want to go somewhere.
25:37No, I don't want to go anywhere.
25:38What a bad head is.
25:39Like a madman.
25:40Let me leave Ivana.
25:41I don't want to go somewhere.
25:54I wanted to go somewhere.
25:56Ivana, you and I are the best friend.
26:03There is no cocktail.
26:05Let me drink some coffee.
26:06What are you giving me?
26:07Let me tell you.
26:08Whatever you have, I'm here.
26:10I want you to stop and that's not the thing that you and I can't resolve.
26:15You have to listen.
26:17Wow, Ksenija, listen.
26:20I don't know how to say it, but it is nice.
26:24What?
26:25What?
26:26What if it will love you to be a bit free?
26:32That's a little freeform?
26:33That's freeform.
26:34And you know,廓ographs are freeforms.
26:36You know,廓ographs are freeforms.
26:38because they are artists. You know, artists fall into their trans and there are artists.
26:44This will be a business story. Good photography, good hunting.
26:49Yes, but not that. I don't talk about that.
26:54What if he wants me to look at?
26:59Naga.
27:02Wait, you won't.
27:03You won't.
27:04You're normal. Why would you look at Naga?
27:08Who would you look at me? Don't pay me to remember.
27:11It's my intimacy. I don't want anyone to give it to me.
27:14You're totally fine.
27:16Ksenija.
27:17When I had the chance to look at Naga,
27:21you'd be the end of me, Yvonne.
27:24I've already planned it and thought about it,
27:27but this baby Vanga profile doesn't allow me to do it.
27:30It was a scandal.
27:31I've already planned it.
27:34You're the right.
27:37You're the right.
27:38You're the right.
27:39You're the right.
27:39I'm the right.
27:40I'm the right, I'm the right.
27:41My advice is to tell you.
27:44It's good, Yvonne.
27:45It's great, Yvonne.
27:46It's called me and I'm looking for it.
27:49It's good to be a professional.
27:53And that's what you do.
27:54You say that this is my red line and I don't go against it.
27:58I'm just looking at it.
28:00That's it.
28:01I'm just looking at it and nothing in bikini and nothing in the middle of it.
28:04Nothing in bikini and nothing in the middle of it.
28:08I don't know why this would be a little upset the people.
28:10This is a little upset.
28:12Who would you like to meet your mother?
28:14I'd like to meet them because I'm going to look at it.
28:15I pray for them to be happy.
28:18Call them and we need to stay until 7.
28:23You can only be there until I'm going to call them?
28:26Of course, I can.
28:28You have to call me so you don't call me this.
28:30You're right now?
28:31Now?
28:32Wait.
28:33I don't know if I have it.
28:35He's on the phone number.
28:38Okay.
28:39Wait.
28:40Let's go.
28:41Let's go.
28:42Let's go.
28:44Let's go.
28:46I'm sorry.