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00:03PIANO PLAYS
00:41Well, how much?
00:43I'm thinking, I'm thinking.
00:45Come on, me arms are aching up here.
00:48And my wallet's aching down here.
00:51It's me that has to throw the money away, you know.
00:54Why don't we just forget it?
00:56You know you're not built for making reductions.
00:58A modern shopkeeper has to give reductions to get the people in.
01:03Well, how much?
01:0528p.
01:07Are you sure?
01:08Get it rid of 28p.
01:17Right.
01:18Right.
01:40Make it 29.
01:42Never mind.
01:43LAUGHTER
02:35Oh, yes, a bit nippy.
02:38There's a tinge of metallics in the air, but at least it's fine.
02:42It'll be a nice, nice day for the wedding.
02:45How can you tell? It's still the middle of the night.
02:49Floodlit wedding. There's a novelty.
02:58One of these days, Granville, you'll be going to my wedding.
03:01Eh? Oh, no. Hang on a minute.
03:03Who'll be looking after the shop?
03:05No, no, no.
03:07I'll tell you what I'll do. I'll bring you back up a piece of bridesmaid.
03:12You'd close the shop on your own wedding day, surely?
03:15Close the shop? It's easy to see you've got Hungarian blood, Granville.
03:19You've got restless gypsy feet, you know that?
03:22And your eyeballs are none too steady of a morning either.
03:26I don't know why you persist in this attitude.
03:28You're always angling for the time off.
03:31Yeah, I never get any, though, do I?
03:32Never have any time to go out with girls.
03:34Listen, all the girls in the area know that your evenings are for free.
03:38I know. With what I get paid, they have to be free.
03:41Anyway, what?
03:42What evenings?
03:43We don't close here till nine o'clock at night.
03:45One day, Granville, all this will be of yours.
03:48It's a lock, lock, lock, lock, lock, lock, stop them back.
03:53I'm always there telling you this.
03:55Yes, I know. Every time I ask for a rise.
03:58Anyway, supposing I wanted to get married.
04:00Hey, married?
04:02Why should you want to get married? What have you been up to?
04:05No, no, I haven't been up to anything.
04:07Dammit, I don't let you out till nine o'clock. You shouldn't have had time.
04:10I haven't had time.
04:12By the time I get where all the girls are, it's like arriving late at the market.
04:16All the best goods have been snapped up.
04:19All that's left is the overripe stuff that everyone's been prodding and poking about.
04:24Anyway, don't worry about me getting married. It's just a hypothetical question.
04:29Hey, you keep your hypotheticals under control, you.
04:33What kind of age are you to be getting married?
04:36I'm old enough. I've been vaulting for ages.
04:39Yeah, and look at the mess the country's in.
04:41You can't do better than that. I advise you to say stay single.
04:44I feel ridiculous at my age.
04:46Look at me, the virgin grocer.
04:49Them two that's getting married today, they're younger than me.
04:51There's plenty of time.
04:53I'm only just coming round to the thoughts of marriage at my age.
04:56I know, and if you don't hurry up, thoughts of marriage is about all you'll be capable of.
05:01I am hurrying up.
05:03My fiancé in yonder bedroom and myself
05:05are just waiting until her dear old mother can get her settled somewhere else.
05:10Oh, yeah? Like where?
05:12The crematorium.
05:15I'm going to tell the nurse you said that.
05:17You keep your virgin trap shut, you.
05:20She'd kill me if she heard me say that.
05:22She's very fond of her dear old mother, you know.
05:25I stand over at the bedside sometimes
05:27to watch her patiently ministering to that dear frail old lady.
05:32I get this lump in me throat.
05:34It's her mother's elbow.
05:36She can't stand me, you know.
05:38She sits up there in a pink woolly bed jacket,
05:40spitting biscuit crumbs,
05:42doing this impersonation of someone who's going to live forever.
05:47As a consequence,
05:48nurse Gladys and I have to snatch
05:50what moments we can of privacy.
05:54Here, come and help me carry the ladder over.
05:57Come on.
06:01You can't knock her up this time in the morning.
06:04Well, would you care to rephrase that?
06:11What?
06:13Supposing she's been up all night delivering babies.
06:16You just stand here and hold the bare bottom of this ladder.
06:20What are you going to hold the bare bottom of?
06:26What if we get a customer in the shop?
06:28Well, you'll have to go over and serve, won't you?
06:31What about the ladder?
06:33Well, if I'm halfway up,
06:35it'll leave it where it is, you silly beggar.
06:37Who's going to hold it?
06:39Oh, I shall be all right once she opens her window.
06:43There must be all sorts of little places
06:45that someone nimble can gain a finger hold,
06:48if my memory serves me correctly.
07:10All right, I'm coming.
07:17All right!
07:19Have you run the doctor?
07:25You great fool!
07:28What are you doing up here?
07:30You're just passing.
07:33You have a buzzer, Nurse Gladys.
07:35As soft as goose down, you know.
07:38Shut up, you fool!
07:39Of a size ideal for oven-ready to chickens.
07:43You dozy barnpot waking me up like this.
07:46I thought you were an expectant father.
07:48Hey, well, listen, I'm a game if you are.
07:51Shut up!
07:52You ain't me, Mother.
07:53She already thinks you're a lunatic,
07:55and she's right.
07:57Look at the time.
07:58You look at what you want,
07:59I'll look at what I want.
08:01And then that's just what I want there.
08:03Right there.
08:04Oh, careful!
08:05Oh!
08:06Granville, are you?
08:07Where's Granville gone?
08:08He's back in the shop.
08:09You've got customers.
08:10I just came to say
08:11that we're going to our wedding today, my love.
08:14I know that, you great fool.
08:16It's not for hours yet.
08:17Go home.
08:18I just wanted to check on your bread order.
08:22Is it they're two large whites?
08:25No, it isn't.
08:26It's a small farmhouse.
08:27Oh, how romantic.
08:29Nurse Gladys, I have appealed to you.
08:32Not at this time of the morning, you don't.
08:34Go home.
08:34No, no, don't, should it?
08:35I shall fall.
08:36You'll be all right
08:37as long as you land on your wallet.
08:38Oh!
08:46Hey, what's wrong?
08:48Oh, to take my advice, Granville,
08:50and never get your hand caught in a state-registered nurse.
08:57Oh, that sounds like old Bristow on his motorbike.
09:00Oh, that's what I call a motorbike.
09:03Wish I had a motorbike like that.
09:04Now, now, Granville,
09:05you have full use of the company vehicle.
09:07Oh, yes, here he comes.
09:08Look, a tango red leader
09:10by bandits at nine o'clock.
09:18He looks like Action Man on his day off, doesn't he?
09:22Morning, Mr. Bristow.
09:25Speak to yourself, Arkwright.
09:27Do you ever get the feeling, Granville,
09:28that there's nobody inside that lot at all?
09:32Morning, Mr. Bristow.
09:33You see what I mean?
09:34He's got completely vacant in there, isn't he?
09:36Morning, Mr. Bristow.
09:38Morning, Mr. Bristow.
09:40Morning, Mr. Bristow.
09:46Stop.
09:48Hello.
09:49Anybody in there?
09:51Is there anybody in there?
09:53Hello, Mr. Bristow.
09:54Morning.
09:58What?
09:58What's he say?
09:59What's he on about there, Granville?
10:02I can't tell what he's on about at all.
10:05Sounds like somebody who's got his head
10:06stuck in a Russian wrestler's armpit, doesn't he?
10:09Hey, but watch his lips.
10:10See if you can see his lips move.
10:12Go on.
10:12No, no, no.
10:13I can't see anything.
10:14It's his visor.
10:15It's tinted, you see.
10:16Oh.
10:17Well, why doesn't he open his lid?
10:19I think he is trying to open it,
10:21but it's not moving.
10:22I think it must be stuck.
10:23Stuck?
10:24Yeah.
10:24Oh, dear.
10:24I hope he can never breathe in there, Granville.
10:26Eh?
10:27No, I don't expect he can breathe all right.
10:28Yeah, well, if you're not sure,
10:29see if he's going a funny colour.
10:32Well, I can't see what colour he's going.
10:34See, his visor, it's tinted.
10:36Through this, he looks black.
10:37Black?
10:38Black?
10:38There you go.
10:39Get him out of here.
10:39Come on.
10:41Come on.
10:42No, he'll be much happier on the pavement.
10:45What will he be happier on the pavement for?
10:47Well, he...
10:47Listen, keep quiet.
10:48We are in dead peril, insurance-wise,
10:51if he there dies on the premises.
10:53Come on.
10:56You see what I mean?
10:57It's last words.
10:58And hopelessly scrambled.
10:59They're not his last words.
11:01They are in here.
11:01Get him out.
11:02No!
11:03He's not suffocating.
11:05It's just stuck.
11:06You made him jerk his head back so fast
11:07he jammed his visor shut
11:09and that won't move.
11:10All right, now, tell you what.
11:11What are you going to do with that?
11:12All right, all right.
11:14I'm just going to get a little attack with that,
11:16Mr Bristol.
11:16That'll probably loosen it.
11:18Now, get your helmet on the counter, will you?
11:19Come on.
11:20All is it.
11:21Come on, Mr Bristol.
11:23Don't worry.
11:23I'm not going to do it that way around.
11:25You're all right.
11:25Have you saved me them half a dozen?
11:28Woo!
11:31Well, there goes a regular order
11:36for half a dozen razor blades.
11:38Oh, dear.
11:43I'm not basically unattractive to women.
11:45I mean, I may be small,
11:47but I'm perfectly formed.
11:49Well, that's a useful then, isn't it?
11:51You can get onto them bottom shelves
11:53with your duster.
11:56It says here that the Scotland Yard
11:59are looking for a very small man
12:01with one eye.
12:02If he's that small,
12:04you think they're used by both eyes,
12:05don't you?
12:10I know nothing about women.
12:12I wish me mother had kept a diary.
12:15Only the dull girls keep diaries.
12:17The other kind of it don't get time.
12:20Hey, you know that Mrs Bamforth up at number 19?
12:23Do you know that she's got 12 children?
12:25Mrs Bamforth lives at number 12.
12:27Oh.
12:28Well, she's got 19 children, then.
12:31Her husband, you know,
12:32is a bully and an idler and a drunk.
12:35Why would she want to have 19 children with him?
12:38I don't know.
12:38She said she was hoping he'd get lost in the crowd.
12:42Oh, you can keep away from there.
12:44There's something slipshod
12:45about a woman who allows herself
12:47to have 19 children.
12:49I don't know how he had time
12:51to go to work at all.
12:53He didn't.
12:54He was on the National Assistance.
12:56I'm surprised he wasn't on her crutches.
13:01I bet she doesn't need to keep her diary.
13:03Hey, hey, hey, hey.
13:04Never mind the daydreaming.
13:05I don't want her flat iron marks
13:06all over them in her new trousers.
13:08It's all right.
13:08Don't worry.
13:10It's a lot easier to press than your old pair.
13:12Oh, dear.
13:13They were so shiny
13:14that trying to iron them
13:15was like taking a bobsleigh
13:16down the crest of runs.
13:18Yes, they were a bit slippery
13:20towards the end.
13:21Towards both ends.
13:23For all them years
13:24of her rubbing up against her nose
13:25like a Gladys Emanuel.
13:27Hey, what happened to that
13:28old suit of yours, anyway?
13:29Oh, she made me give it
13:30to a war on want.
13:32Some poor native tribesman
13:34in North Africa
13:35at this very moment, no doubt.
13:37Wearing a blue pinstripe suit.
13:40Wondering why he keeps
13:41a sliding off his camel.
13:47Oh, dear, oh, dear.
13:48I hate ironing your claws
13:50but can hardly breathe
13:51for the smell of mothballs.
13:52Why do you put mothballs
13:53in a new suit, Eddie Rolls?
13:56You do know
13:56that you're the last person
13:57in England
13:58to use mothballs.
13:59You do know that,
14:00don't you, Egg?
14:00That might bring a sigh
14:01of relief to the average moth
14:03but I don't see
14:03why you're controlling about it.
14:05That warehouse
14:06is full of her boxes
14:07and boxes of mothballs.
14:09They're not shifting.
14:10And you know why
14:10they're not shifting,
14:11don't you, Egg?
14:12Because nobody wants
14:13to buy any mothballs anymore.
14:14That is why.
14:15Nobody buys mothballs anymore
14:17because nobody
14:18sells mothballs
14:19to anybody anymore.
14:20And you're one of the nobodies
14:21who's not selling
14:22mothballs to anyone anymore.
14:24I mean, a decent shopkeeper
14:26should be able to sell
14:27anything he puts his mind to.
14:29You're going to make
14:29people want them.
14:31You've got to create
14:31in the public
14:32the desire for a decent mothball.
14:34No worry.
14:35Anybody who gets near you
14:36at their wedding today
14:37is going to get
14:37all the mothballs
14:38he's ever likely to deserve.
14:41That's what we need,
14:42you know, more as a strategy
14:43and the sales planning
14:45instead of sitting
14:46about half the morning
14:47undoing my motorcyclists.
14:49Mrs. Fielding
14:50thought you were
14:51going to kill him.
14:53I felt like killing him
14:54when I found out
14:55all he wanted
14:56was a flint for his lighter.
14:59One flint.
15:00One flint.
15:01I had to split a pack.
15:02You know that.
15:19He's leaving you
15:19on your own then,
15:20is he?
15:21Aye, for a couple of hours
15:22while he goes to the wedding.
15:24Wedding?
15:24Aye, with a nurse.
15:26Her niece is getting married today.
15:29Well, she has my sympathy.
15:32Oh, come on, Mrs. Blewett.
15:34Marriage can't be all that bad.
15:35It's not at the beginning, anyway.
15:37It's very depressing
15:38the way people talk
15:39about all the things
15:40that I'm looking forward to.
15:42I mean, there must be
15:43some miracles still left in life.
15:45Oh, there is.
15:46I mean, for a start,
15:47it's a miracle
15:47you haven't just pulled
15:48my eye out of it, that's right.
15:50Yeah, sorry.
15:51I shan't be having
15:52any more boiled ham
15:53until your hand's steadier.
15:54I can't afford boiled ham
15:56unless it's cut unemotionally.
16:00Give me four of them tea cakes.
16:02Oh, tea cakes, aye.
16:03Well, I'm safer with tea cakes.
16:06Right.
16:07You can't go wrong
16:07with any tea cakes.
16:08Hey, hey!
16:12Oh, Bradville!
16:13Oh, I...
16:14You're a bag of nerves!
16:15Yes, I know.
16:16I'm sorry.
16:17It's me age.
16:18Just reached that stage
16:20in my life
16:20when you're supposed
16:21to be all sexual tension
16:22and raw edges.
16:24You know,
16:24you try to talk to people
16:25and they think you're weird.
16:27Calm yourself, Bradville.
16:29Nobody thinks you're weird.
16:30Yes, they do.
16:31They do.
16:34The minute you try
16:35to have a frank conversation
16:36about things
16:37that really matter...
16:38Here!
16:39I'm not having them.
16:40They've been kicked
16:41all over the floor.
16:42No, no,
16:43I'm not going to sell
16:44these to you,
16:45Mrs Blewett.
16:46That's unhygienic.
16:47I'll sell these
16:47to Mrs Tattersall.
16:50Why is it
16:51that people
16:51can never communicate
16:52deeper than talking
16:53about, well,
16:54the government
16:54or her at number 17?
16:56Will she find
16:57true happiness
16:58with her new
16:58fitted carpet?
17:00Oh, I don't think
17:01she stands
17:02the cutting house,
17:02chance.
17:04For a start,
17:05it clashes
17:05with a three-piece suite.
17:07Now, what she should
17:08have done,
17:09in my opinion,
17:10is...
17:10There you go.
17:11Listen to you.
17:14Mrs Blewett,
17:17we have known
17:18each other
17:18for ages.
17:19You have had
17:20seven children.
17:21Therefore,
17:22you are a woman
17:22of wide human
17:24experience.
17:25Not so damn wide.
17:27They're all
17:28from the same stable.
17:30But I respect
17:32your experience,
17:33Mrs Blewett.
17:33I'd be fascinated
17:34to hear about it.
17:36All females,
17:37to me,
17:37are a magical mystery.
17:40Don't be stupid,
17:42Grumble.
17:42Give me a packet
17:43of them jump tarts.
17:45Could you just
17:46explain to me
17:47why it is never
17:47possible for people
17:49just to talk to me?
17:50Because you're weird.
17:51There you are,
17:52you see.
17:53Because I'm weird.
17:55I see.
17:55Do you want any eggs?
17:57No, what's he on about?
17:58What's he getting at now?
18:00Nothing.
18:01I just asked you
18:01if you wanted some eggs.
18:02You'll give your eggs
18:03to yourself.
18:04What do you know
18:05about eggs
18:05at your age?
18:09Nothing.
18:10It'd be 98 pence,
18:12please,
18:12Mrs Blewett.
18:21Now,
18:21Gregor Anvill,
18:22keep your shelves
18:23well filled
18:23and don't let
18:24Mrs Henderson
18:25poke the bread.
18:26She's got an index finger
18:27which is very detrimental
18:29to her sliced loaf,
18:30she has,
18:30which might,
18:31of course,
18:32explain the rather
18:32pained expression
18:33on the face
18:33of Mr Henderson,
18:34I suppose.
18:36She could go through
18:36a cabbage
18:37with a finger
18:37like that.
18:38Now, listen,
18:38be very nice
18:39to your customers,
18:40especially the awkward
18:41ones like
18:42Mrs.
18:42Beb-be-be-be-be-be-be-be.
18:43Good morning,
18:44Mrs.
18:44Beb-be-be-be-be-be.
18:46Are you sure
18:47these air nets
18:47are invisible?
18:48Oh,
18:49I'll say they are.
18:50Yes,
18:50we ran out of them
18:51last Friday.
18:53Since then,
18:54I've sold 14.
18:5798 pence,
18:57please.
18:5898 pence,
18:58there we go.
19:08There we are,
19:08that 2p change,
19:09thank you.
19:10A wedding,
19:10is it?
19:10Wedding,
19:10yes.
19:11You're getting
19:11a regular gad about,
19:12aren't you?
19:13That must be twice
19:14you've been out
19:15since 1976.
19:19Oh,
19:19that reminds me.
19:21Have you got
19:21a can of air freshener?
19:23Certainly,
19:23Mrs.
19:23Blewett.
19:24Well,
19:24you damn well
19:25need it.
19:32No matter how
19:33carefully we all
19:34to tread,
19:35Granville,
19:36marriage,
19:36the great reaper
19:37comes to us all.
19:39Even Mrs.
19:39Blewett
19:40went through it.
19:42I think she
19:43thinks I'm effeminate.
19:45Well,
19:45compared to her,
19:46you probably are.
19:48Another thing,
19:50do you realise
19:51that I have never
19:52been to a wedding?
19:53I know,
19:53I know.
19:54Yeah,
19:55my mother
19:55had the same problem.
20:01Hello?
20:03It's only me
20:04from over the sea,
20:05he said,
20:06burr, burr, burr, burr, burr.
20:09How did you guess?
20:11Can I come in?
20:12Don't mean,
20:13I shall be a minute.
20:14Right.
20:20Here,
20:21who's been
20:22me buying sugar
20:22at the supermarket?
20:24Eh?
20:24You betrothed
20:25to a private grocer,
20:27Sir, already you've been unfaithful to me with a co-op.
20:30It's your mother, isn't it?
20:33That's right. Shout. Wake her up. Why don't you...
20:37Oh...
20:37What's wrong?
20:38Oh, that does the heart of an old shopkeeper a lot of good, that does.
20:43Do you like it?
20:43Hey, we'll talk about a bit.
20:46Oh, lovely. You'd better handcuff me now.
20:49That's to save a lot of arguments later, won't it?
20:54There aren't going to be any arguments. You're going to behave.
20:57Oh.
20:57I'm not arriving at that wedding looking as if I've just been mauled by an escaped grocer.
21:03You know, you see a handsome woman dressed like that.
21:06It makes you wish you had had a 20 years longer, a young girl.
21:10Oh!
21:11Oh!
21:13Keep away!
21:14Listen, what we should be looking for is a little place together,
21:17but you keep knocking me hand away, don't you?
21:21Mothballs!
21:22Oh, do you want to buy something I can collect?
21:23You have a right piece.
21:24Oh, God, no, it's you. You're weak of mothballs.
21:27I know, but that'll all blow away in the fresh air.
21:31Ah, I'll make damn sure it does.
21:39I'm going numb.
21:41Good.
21:42I think I might like you numb.
21:44Supposing it does irreparable damage to me grip?
21:48I should be so lucky.
21:50LAUGHTER
22:04All right.
22:05Put it on.
22:06Oh.
22:07Listen, have you guys got somewhere warm I can put this on?
22:10LAUGHTER
22:14Best offer I've had all day.
22:16Get in the car, you big idiot.
22:18Hey, hey, hey.
22:19When are we going to go to our own wedding?
22:22Let's get this one over first.
22:23Oh, it's not the same, though, is it, eh?
22:25Just being a spare spectator.
22:27Have you really thought about it?
22:29You must be joking.
22:31That's all I ever do is to think about it.
22:33I'll give you an example how much I either think about it.
22:36I was in the shop the other day...
22:38Hey, you must promise not to repeat this.
22:40Get on with it.
22:41No, promise.
22:42Get on with it.
22:43I was just serving Mrs Ellis with six ounces of smoked bacon.
22:47I love the association of ideas, me and bacon.
22:50You haven't heard the worst yet.
22:52What did you do?
22:53Well, I didn't realise till after she'd gone.
22:55I let her walk out through that door
22:57with six ounces of her prime smoked bacon.
23:01What had you done?
23:02I'd only charged her for four.
23:25Now, what are you there doing?
23:27I should never have come if I thought you were the kind of woman
23:30who keeps driving men until they lay-bys.
23:33It's as bad as ever.
23:34You can hardly breathe in here.
23:36What are you doing with me trousers?
23:38Six ounces, they're worse than your jacket.
23:41You'll have to take them off.
23:42Oh, well, I must say,
23:43this is turning out quite a big day, isn't it?
23:46Don't keep them off, boys.
23:47Get them off and hang them out the window.
23:49I'll do that.
23:51Nobody's going to see you.
23:52It's a quiet road.
23:54Get them off and let's get a bit of breeze round them.
23:57I can't stand out there taking me trousers off.
24:01Someone might come past.
24:03Well, take them off in here.
24:05And then what are you going to be doing?
24:07Well, you needn't worry.
24:09I'm not going to do anything except sit here.
24:11I promise you I'm not likely to lose all sense of control
24:14over the sight of you and your underpants.
24:16It doesn't seem natural just for taking them off in cold blood.
24:20Hurry up.
24:21We haven't got all day.
24:29Well, can't you turn your head away?
24:32I don't know, you or something.
24:33Go on.
24:34Good heavens, man.
24:36My entire working life spent handling men with no trousers on.
24:40That's something I can't help thinking about
24:43every time you pass me a boiled sweet.
24:47You think you've got them off yet?
24:49No, I haven't, Nick.
24:50Have you ever tried taking your trousers off in a Morris Minor?
24:53Look, could you just shift that gear stick a bit?
24:56Or better still, then we'll warm the handle.
24:59Hang on.
24:59I'll put it in reverse.
25:00No, no, no, no.
25:03You can make a mistake now.
25:04I'm in big trouble.
25:07Let me get round this way a bit.
25:09What are you laughing at?
25:11It's not funny, you know.
25:13Oh, boy, I hope nobody sees this before.
25:16It's going to see it.
25:32Oh, I...
25:34What are you blushing for?
25:36What do you think I'm blushing for?
25:39They needn't have seen anything
25:40if you hadn't made such a damn great production of it.
25:43Well, I'll tell you something.
25:44I shan't be much more energetic
25:46than that on me own with wedding day.
25:59Oh, I thought it was cold enough
26:02with me jacket off, but it's frightening.
26:05I've got the heater on full blast.
26:07Listen, I want you to promise me
26:10not even to think about marriage
26:11until I've regained full use
26:13of my fair faculty.
26:16I've got the heater on full blast.
26:18I've got the heater on full blast.
26:20I've got the heater on full blast.
26:24I've got the heater on full blast.
26:28I've got the heater on full blast.
26:31I've got the heater on full blast.
26:33I've got the heater on full blast.
26:33I've got the heater on full blast.
26:33I've got the heater on full blast.
26:36I've got the heater on full blast.
26:38I've got the heater on full blast.
26:42I've got the heater on full blast.
27:32And now what?
27:34Well, I'm not missing the wedding.
27:44And in the face of this congregation, to join together this man and this woman in holy
27:51matrimony, which is an honourable estate instituted of God.
28:01I warn you, don't try anything.
28:04I'm especially on my guard, because I've only got flimsy ones on.
28:08I wish you wouldn't try to inflame me when I'm wearing these tight trousers.
28:15They're still warm, you know.
28:18They're getting warmer by the minute.
28:21Just try and keep yourself in check.
28:24Well, I'll do my best.
28:26I can't promise anything when you kneel down.
28:30I might think my prayers have been answered.
28:39Well, all in all, it were a pretty interesting day out.
28:44Pity we couldn't stay for the reception, but it would have been difficult for Gladys Emanuel
28:48to have kept her top coat on all through the telegrams.
28:52I did see her point.
28:54Just briefly, as she got in the car.
29:05Moe frills.
29:07Just like an old-fashioned chocolate box.
29:11Ah, yuck.
29:13You'd certainly be spoilt for choice with that sort of weekend assortment.